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my name is red-我的名字叫红-第142章

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Death; over which the light of the lamp wavered pleasantly。 I remembered that 
Olive  had  rendered  Satan  with  great  enthusiasm;  whose  story  was  spun 
entirely  by  the  dearly  departed  storyteller。  I’d  started  the  tree  whose  leaves 
were drawn by all of us who came to the coffeehouse that night。 We came up 
with the story as well。 So it was with Red; too: Some red ink had splattered 
onto a page and the stingy storyteller asked if we could make a picture of it。 
We dribbled some more red ink onto the page; then each of us sketched the 
image  of  something  red  in  a  corner  and  told  the  story  of  his  image  so  the 
storyteller might recount it。 Olive made this exquisite horse here—praised be 
his talent—and I think it was Butterfly who drew the melancholy woman。 Just 
then Butterfly removed the dagger from my throat and told Black that; yes; he 
now remembered how he’d drawn the woman。 We all contributed to the gold 
coin in the bazaar; and Olive; a descendant of Kalenderis himself; drew the two 
dervishes。  The  sect  of  the  Kalenderis  is  based  on  buggering  young  boys  and 
begging and their sheikh; Evhad…üd Dini Kirmani wrote the sect’s sacred book 
250 years ago; revealing in verse that he’d seen God’s perfection manifested in 
beautiful faces。 
I asked the forgiveness of my master artist brethren for the disheveled state 
of our house; offering the excuse that we’d been caught unprepared; and I told 
them  how  sorry  I  was  that  we  could  offer  them  neither  fragrant  coffee  nor 
sweet oranges because my wife was still asleep in the inner room。 I said this so 
they wouldn’t barge in there and I wouldn’t have to wreak bloody havoc upon 
them  when  they  didn’t  find  what  they  were  looking  for  among  the  canvas; 
drawstring cloth; summer sashes of Indian silk and fine muslin; Persian prints 
and dolmans in the baskets and trunks they eagerly rummaged through; under 
the  carpets  and  cushions;  among  the  illuminated  pages  I’d  prepared  for 
various books; and within the pages of bound volumes。 
398 
 
Nevertheless; I must confess that it gave me a certain pleasure to behave as 
if I were afraid of them。 An artist’s skill depends on carefully attending to the 
beauty of the present moment; taking everything down to the minutest detail 
seriously while; at the same time; stepping back from the world; which takes 
itself too seriously; and as if looking into a mirror; allowing for the distance 
and eloquence of a jest。 
Accordingly; upon their asking; I said that; yes; when the Erzurumis began 
their  raid;  there  was;  as  on  most  evenings;  a  crowd  of  about  forty  in  the 
coffeehouse; which included; besides myself; Olive; Nas?r the Limner; Jemal the 
calligrapher; two young assistant illustrators; the young calligraphers who were 
now  spending  their  days  and  nights  with  them;  Rahmi  the  apprentice  of 
unsurpassed beauty; other handsome novices; six or seven men belonging to 
the  lot  of  poets;  drunks;  hashish  addicts  and  dervishes  and  others  who 
cunningly  charmed  the  proprietor  into  allowing  them  to  join  this  mirthful 
and witty group。 I explained how confusion reigned as soon as the raid began。 
When  the  crowd  of  onlookers  gathered  by  the  proprietor  for  some  bawdy 
entertainment began to leave in a panic; no one thought to mount a defense 
of the establishment or of the poor old storyteller dressed as a woman。 Did I 
grieve over this calamity? “Yes! I; Mustafa the Painter; also known as ”Stork;“ 
who have truly devoted my entire life to illumination; find it necessary; each 
night; to sit together with my artist brethren and converse; joke; ridicule; pay 
pliments;  recite  poems  and  speak  in  innuendos;”  I  confessed;  looking 
directly into the eyes of dim…witted Butterfly; shrouded in the air of a plump; 
moist…eyed boy plagued by envy。 Even as an apprentice; this Butterfly of ours; 
whose eyes were still as lovely as a child’s; was a sensitive; fine…skinned beauty。 
Again; upon their asking me; I described how on the second day that the 
storyteller;  may  his  soul  find  peace  in  Heaven;  wandering  the  city  and 
neighborhoods   began   plying   his   trade   in   the   coffeehouse;   one   of   the 
miniaturists; perhaps under the influence of coffee; hung a picture on the wall 
to be amusing; the glib storyteller took notice and; as a joke of his own; began 
a  monologue  as  if  he  were  the  dog  in  the  picture;  which  met  with  great 
success; thenceforth; every night he continued to feature pictures drawn by the 
master miniaturists and to tell witty tales they whispered into his ear。 Because 
the  jibes  at  the  preacher  from  Erzurum  at  once  exhilarated  the  artists;  who 
lived  in  terror  of  the  preacher’s  wrath;  and  drew  more  customers  to  the 
coffeehouse; the proprietor from Edirne encouraged the performances。 
They  asked  me  my  interpretation  of  the  pictures  the  storyteller  hung  up 
behind  himself  each  night;  the  ones  they  found  during  their  raid  of  brother 
399 
 
Olive’s  empty  house。  I  explained  that  there  was  no  need  for  interpretation 
because the proprietor; like Olive himself; was a begging; thieving; wild wretch 
of  a  Kalenderi  dervish。  The  simple…minded  Elegant  Effendi;  terrified  of  Hoja 
Effendi’s   exhortations;   and   especially   of   his   fire…and…brimstone   Friday 
sermons;  must’ve  plained  of  them  to  the  Erzurumis。  Or  even  more 
probable; when Elegant warned them to stop in their mischief; the proprietor 
and Olive; both of the same temperament; conspired to cruelly do away with 
the  ill…fated  gilder。  The  Erzurumis;  incited  by  Elegant’s  murder;  and  perhaps 
because  Elegant  Effendi  had  described  Enishte’s  book  to  them;  held  Enishte 
responsible  for  the  murder  and  killed  him;  and;  they  must’ve  raided  the 
coffeehouse to plete their revenge。 
How much attention were chubby Butterfly and grave Black (he was like a 
ghost) paying to what I said as they ransacked my possessions; gleefully lifting 
every lid and leaving not a stone unturned? When they came across my boots; 
armor and bellished walnut trunk; a look of envy 
blossomed  on  Butterfly’s  childish  face;  and  I  once  again  declared  what 
everybody already knew quite well。 I was the first Muslim illustrator to set out 
on campaign with the army and the first to carefully study and depict what I’d 
witnessed  in  various  victory  Chronicles—the  firing  of  cannon;  the  towers  of 
enemy castles; the colors of infidel soldiers’ uniforms; the sprawl of corpses; 
the  piles  of  severed  heads  along  riverbanks  and  the  order  and  charge  of 
armored cavalry! 
When Butterfly asked me to show him how I donned my armor; I forthwith 
and without embarrassment took off my overshirt; my black rabbit…fur…lined 
undershirt;  my  trousers  and  my  underwear。  Pleased  with  the  way  they 
watched me by the light of the stove; I pulled on my clean long underwear; the 
thick shirt of red broadcloth worn
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