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the origins of contemporary france-1-第60章

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minds。〃 Reformers and moralists introduce theatrical art into the

education of children; Mme。  de Genlis composes comedies for them;

considering these excellent for the securing of a good pronunciation;

proper self…confidence and the graces of deportment。  The theater;

indeed; then prepares man for society as society prepares him for the

theater; in either case he is on display; composing his attitude and

tone of voice; and playing a part; the stage and the drawing room are

on an equal footing。  Towards the end of the century everybody becomes

an actor; everybody having been one before。'71' 〃We hear of nothing

but little theaters set up in the country around Paris。〃 For a long

time those of highest rank set the example。  Under Louis XV。  the Ducs

d'Orléans; de Nivernais; d'Ayen; de Coigny; the Marquises de

Courtenvaux; and d'Entraigues; the Comte de Maillebois; the Duchesse

de Brancas; the Comtesse d'Estrades form; with Madame de Pompadour;

the company of the 〃small cabinets;〃 the Due de la Vallière is the

director of them; when the piece contains a ballet the Marquis de

Courtenvaux; the Duc de Beuvron; the Comtes de Melfort and de Langeron

are the titular dancers。'72' 〃Those who are accustomed to such

spectacles;〃 writes the sedate and pious Duc de Luynes; 〃agree in the

opinion that it would be difficult for professional comedians to play

better and more intelligently。〃 The passion reaches at last still

higher; even to the royal family。  At Trianon; the queen; at first

before forty persons and then before a more numerous audience;

performs Colette in 〃Le Devin de Village;〃 Gotte; in 〃La Gageure

imprévue;〃 Rosine in 〃Le Barbier de Seville;〃 Pierette in 〃Le Chasseur

et la Laitière;〃'73' while the other comedians consist of the

principal men of the court; the Comte d'Artois; the Comtes d'Adhémar

and de Vaudreuil; the Comtesse de Guiche; and the Canoness de

Polignac。  A theater is formed in Monsieur's domicile; there are two in

the Comte d'Artois's house; two in that of the Duc d'Orléans; two in

the Comte de Clermont's; and one in the Prince de Condé's。  The Comte

de Clermont performs serious characters; the Duc d'Orléans represents;

with completeness and naturalness; peasants and financiers; M。 de

Miromesnil; keeper of the seals; is the smartest and most finished of

Scapins; M。 de Vaudreuil seems to rival Molé; the Comte de Pons plays

the 〃Misanthrope〃 with rare perfection。'74' 〃More than ten of our

ladies of high rank;〃 writes the Prince de Ligne; 〃play and sing

better than the best of those I have seen in our theaters。〃 By their

talent judge of their study; assiduity and zeal。  It is evident that

for many of them it is the principal occupation。  In a certain chateau;

that of Saint…Aubin; the lady of the house; to secure a large enough

troupe; enrolls her four chambermaids in it; making her little

daughter; ten years old; play the part of Zaire; and for over twenty

months she has no vacation。  After her bankruptcy; and in her exile;

the first thing done by the Princess de Guéménée was to send for

upholsterers to arrange a theater。  In short; as nobody went out in

Venice without a mask so here nobody comprehended life without the

masqueradings; metamorphoses; representations and triumphs of the

player。



The last trait I have to mention; yet more significant; is the

afterpiece。  Really; in this fashionable circle; life is a carnival as

free and almost as rakish as that of Venice。  The play commonly

terminates with a parade borrowed from La Fontaine's tales or from the

farces of the Italian drama; which are not only pointed but more than

free; and sometimes so broad that they cant be played only before

princes and courtesans;〃'75' a morbid palate; indeed; having no taste

for orgeat; instead demanding a dram。  The Duc d'Orléans sings on the

stage the most spicy songs; playing Bartholin in 〃Nicaise;〃 and Blaise

in 〃Joconde。〃 〃Le Marriage sans Curé;〃 〃Leandre grosse;〃 〃L'amant

poussif;〃 〃Leandre Etalon;〃 are the showy titles of the pieces

composed by Collé 〃for the amusement of His Highness and the Court。〃

For one which contains salt there are ten stuffed with strong pepper。

At Brunoy; at the residence of Monsieur; so gross are they'76' the

king regrets having attended; 〃nobody had any idea of such license;

two women in the auditorium had to go out; and; what is most

extraordinary; they had dared to invite the queen。〃  …  Gaiety is a

sort of intoxication which draws the cask down to the dregs; and when

the wine is gone it draws on the lees。  Not only at their little

suppers; and with courtesans; but in the best society and with ladies;

they commit the follies of a bagnio。  Let us use the right word; they

are blackguards; and the word is no more offensive to them than the

action。  〃For five or six months;〃 writes a lady in 1782;〃'77' 〃the

suppers are followed by a blind man's buff or by a draw…dance; and

they end in general mischievousness; (une polissonnerie générale)。〃

Guests are invited a fortnight in advance。  〃On this occasion they

upset the tables and the furniture; they scattered twenty caraffes of

water about the room; I finally got away at half…past one; wearied

out; pelted with handkerchiefs; and leaving Madame de Clarence hoarse;

with her dress torn to shreds; a scratch on her arm; and a bruise on

her forehead; but delighted that she had given such a gay supper and

flattered with the idea of its being the talk the next day。〃  …  This

is the result of a craving for amusement。  Under its pressure; as under

the sculptor's thumb; the face of the century becomes transformed and

insensibly loses its seriousness; the formal expression of the

courtier at first becomes the cheerful physiognomy of the worldling;

and then; on these smiling lips; their contours changed; we see the

bold; unbridled grin of the scamp。'78'

___________________________________________________________________



Notes:



'1'。  〃LA VIE DE SALON〃 is Taine's title。  In Le Robert & Collins'

Dictionary salon is translated as 〃lounge〃 (Brit。) sitting room;

living room; or (cercle littéraire) salon。



'2'。  De Loménie; 〃Beaumarchais et son temps;〃 I。  403。  Letter of

Beaumarchais; (Dec。  24; 1764。)  …  The travels of Mme。  d'Aulnoy and

the letters of Mme。  de Villars。  …  As to Italy see Stendhal; 〃Rome;

Naples et Florence。〃 … For Germany see the 〃Mémoires〃 of the Margrave

of Bareith; also of the Chevalier Lang。  …  For England see my

〃Histoire de la litérature Anglaise;〃 vols。  III。  IV。



'3'。  Volney; 〃Tableau du climat et du sol des Etats…Unis

d'Amérique。〃 The leading trait of the French Colonist when compared

with the colonists of other nations; is; according to this writer; the

craving for neighbors and conversation



'4'。  Mme。  de Caylus; 〃Souvenirs;〃 p。  108。



'5'。  St。  Simon; 461。



'6'。  Duc de Lévis; p。  321。



'7'。  Mme。  de Genlis; 〃Souvenirs de Félicie;〃 p。  160。  … It is

important; however; to cal
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