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the origins of contemporary france-1-第40章

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drawing room being filled from the anteroom。



Not that the drawing room needs all that to be filled。  Being the

source of all preferment and of every favor; it is natural that it

should overflow'29'。  It is the same in our leveling society (in 1875);

where the drawing room of an insignificant deputy; a mediocre

journalist; or a fashionable woman; is full of courtiers under the

name of friends and visitors。  Moreover; here; to be present is an

obligation; it might be called a continuation of ancient feudal

homage; the staff of nobles is maintained as the retinue of its born

general。  In the language of the day; it is called 〃paying one's duty

to the king。〃 Absence; in the sovereign's eyes; would be a sign of

independence as well as of indifference; while submission as well as

regular attention is his due。  In this respect we must study the

institution from the beginning。  The eyes of Louis XIV go their rounds

at every moment; 〃on arising or retiring; on passing into his

apartments; in his gardens; 。  。  。  nobody escapes; even those who hoped

they were not seen; it was a demerit with some; and the most

distinguished; not to make the court their ordinary sojourn; to others

to come to it but seldom; and certain disgrace to those who never; or

nearly never; came。〃'30'  Henceforth; the main thing; for the first

personages in the kingdom; men and women; ecclesiastics and laymen;

the grand affair; the first duty in life; the true occupation; is to

be at all hours and in every place under the king's eye; within reach

of his voice and of his glance。  〃Whoever;〃 says La Bruyère; 〃considers

that the king's countenance is the courtier's supreme felicity; that

he passes his life looking on it and within sight of it; will

comprehend to some extent how to see God constitutes the glory and

happiness of the saints。〃 There were at this time prodigies of

voluntary assiduity and subjection。  The Duc de Fronsac; every morning

at seven o'clock; in winter and in summer; stationed himself; at his

father's command; at the foot of the small stairway leading to the

chapel; solely to shake hands with Mme。  de Maintenon on her leaving

for St。  Cyr。'31'  〃Pardon me; Madame;〃 writes the Duc de Richelieu to

her; 〃the great liberty I take in presuming to send you the letter

which I have written to the king; begging him on my knees that he will

occasionally allow me to pay my court to him at Ruel; for I would

rather die than pass two months without seeing him。〃 The true courtier

follows the prince as a shadow follows its body; such; under Louis

XIV; was the Duc de la Rochefoucauld; the master of the hounds。  〃He

never missed the king's rising or retiring; both changes of dress

every day; the hunts and the promenades; likewise every day; for ten

years in succession; never sleeping away from the place where the king

rested; and yet on a footing to demand leave; but not to stay away all

night; for he had not slept out of Paris once in forty years; but to

go and dine away from the court; and not be present on the promenade。〃

…  If; later; and under less exacting masters; and in the general

laxity of the eighteenth century; this discipline is relaxed; the

institution nevertheless subsists;'32' in default of obedience;

tradition; interest and amour…propre suffice for the people of the

court。  To approach the king; to be a domestic in his household; an

usher; a cloak…bearer; a valet; is a privilege that is purchased; even

in 1789; for thirty; forty; and a hundred thousand livres; so much

greater the reason why it is a privilege to form a part of his

society; the most honorable; the most useful; and the most coveted of

all。  …  In the first place; it is a proof of noble birth。  A man; to

follow the king in the chase; and a woman; to be presented to the

queen; must previously satisfy the genealogist; and by authentic

documents; that his or her nobility goes back to the year 1400。  …  In

the next place; it ensures good fortune。  This drawing room is the only

place within reach of royal favors; accordingly; up to 1789; the great

families never stir away from Versailles; and day and night they lie

in ambush。  The valet of the Marshal de Noaillles says to him one night

on closing his curtains;



 〃At what hour will Monseigneur be awakened?〃 〃At ten o'clock; if

no one dies during the night。〃'33'



Old courtiers are still found who; 〃at the age of eighty; have

passed forty…five on their feet in the antechambers of the king; of

the princes; and of the ministers。  。  。



You have only three things to do;〃 says one of them to a debutant;

〃speak well of everybody; ask for every vacancy; and sit down when you

can。〃



 Hence; the king always has a crowd around him。  The Comtesse du

Barry says; on presenting her niece at court; the first of August;

1773; 〃the crowd is so great at a presentation; one can scarcely get

through the antechambers。〃'34' In December; 1774; at Fontainebleau;

when the queen plays at her own table every evening; 〃the apartment;

though vast; is never empty。  。  。  。  The crowd is so great that one can

talk only to the two or three persons with whom one is playing。〃 The

fourteen apartments; at the receptions of ambassadors are full to

overflowing with seigniors and richly dressed women。  On the first of

January; 1775; the queen 〃counted over two hundred ladies presented to

her to pay their court。  〃 In 1780; at Choisy; a table for thirty

persons is spread every day for the king; another with thirty places

for the seigniors; another with forty places for the officers of the

guard and the equerries; and one with fifty for the officers of the

bedchamber。  According to my estimate; the king; on getting up and on

retiring; on his walks; on his hunts; at play; has always around him

at least forty or fifty seigniors and generally a hundred; with as

many ladies; besides his attendants on duty。  At Fontainebleau; in

1756; although 〃there were neither fêtes nor ballets this year; one

hundred and six ladies were counted。〃 When the king holds a 〃grand

apartement;〃 when play or dancing takes place in the gallery of

mirrors; four or five hundred guests; the elect of the nobles and of

the fashion; range themselves on the benches or gather around the card

and cavanole tables。'35' This is a spectacle to be seen; not by the

imagination; or through imperfect records; but with our own eyes and

on the spot; to comprehend the spirit; the effect and the triumph of

monarchical culture。  In an elegantly furnished house; the drawing room

is the principal room; and never was one more dazzling than this。

Suspended from the sculptured ceiling peopled with sporting cupids;

descend; by garlands of flowers and foliage; blazing chandeliers;

whose splendor is enhanced by the tail mirrors; the light streams down

in floods on gilding; diamonds; and beaming; arch physiognomies; on

fine busts; and on the capacious; sparkling and garlanded dresses。  The

skirts of the ladies ranged i
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