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the origins of contemporary france-1-第101章

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and desire in psychology; those of utility; contract and law in

politics and morality; those of capital; production; value; exchange

in political economy; and the; same in the other sciences; all of

these being conceptions derived from passing experience; from which it

follows that; in appealing to common experience by means of a few

familiar circumstances; such as short stories; anecdotes; agreeable

tales; and the like; these conceptions are fashioned anew and rendered

precise。  This being accomplished; almost everything is accomplished;

for nothing then remains but to lead the listener along step by step;

flight by flight; to the remotest consequences。



 〃Will Madame la Maréchale have the kindness to recall my

definition? 〃  …  〃I remember it well…do you call that a definition?〃

…  〃Yes。〃 …〃That; then; is philosophy! 〃  …  〃Admirable ! 〃  …  〃And I

have been philosophical? 〃  …  〃 As you read prose; without being

aware of it。〃



The rest is simply a matter of reasoning; that is to say; of

leading on; of putting questions in the right order; and of analysis。

With the conception thus renewed and rectified the truth nearest at

hand is brought out; then out of this; a second truth related to the

first one; and so on to the end; no other obligation being involved in

this method but that of carefully advancing step by step; and of

omitting no intermediary step。   …  With this method one is able to

explain all; to make everything understood; even by women; and even by

women of society。  In the eighteenth century it forms the substance of

all talents; the warp of all masterpieces; the lucidity; popularity

and authority of philosophy。  The 〃Eloges〃 of Fontenelle; the

〃Philosophe ignorant et le principe d'action〃 by Voltaire; the 〃

Lettre à M。 de Beaumont;〃 and the 〃Vicaire Savoyard〃 by Rousseau; the

〃Traité de l'homme〃 and the 〃époques de la Nature〃 by Buffon; the 〃

Dialogues sur les blés〃 by Galiani; the 〃 Considérations〃 by

d'Alembert; on mathematics; the 〃 Langue des Calculs〃 and the

〃Logique〃 by Condillac; and; a little later; the 〃Exposition du

système du Monde〃 by Laplace; and 〃Discours généraux〃 by Bichat and

Cuvier; all are based on this method'12'。  Finally; this is the method

which Condillac erects into a theory under the name of ideology; soon

acquiring the ascendancy of a dogma; and which then seems to sum up

all methods。  At the very least it sums up the process by which the

philosophers of the century obtained their audience; propagated their

doctrine and achieved their success。



III。  ITS POPULARITY。



Owing to style it becomes pleasing。  … Two stimulants peculiar to

the 18th century; coarse humor and irony。



Thanks to this method one can be understood; but; to be read;

something more is necessary。  I compare the eighteenth century to a

company of people around a table; it is not sufficient that the food

before them be well prepared; well served; within reach and easy to

digest; but it is important that it should be some choice dish or;

better still; some dainty。  The intellect is Epicurean; let us supply

it with savory; delicate viands adapted to its taste; it will eat so

much the more owing to its appetite being sharpened by sensuality。

Two special condiments enter into the cuisine of this century; and;

according to the hand that makes use of them; they furnish all

literary dishes with a coarse or delicate seasoning。  In an Epicurean

society; to which a return to nature and the rights of instinct are

preached; voluptuous images and ideas present themselves

involuntarily; this is the appetizing; exciting spice…box。  Each guest

at the table uses or abuses it; many empty its entire contents on

their plate。  And I do not allude merely to the literature read in

secret; to the extraordinary books Madame d'Audlan; governess to the

French royal children; peruses; and which stray off into the hands of

the daughters of Louis XV;'13' nor to other books; still more

extraordinary;'14' in which philosophical arguments appear as an

interlude between filth and the illustrations; and which are kept by

the ladies of the court on their toilet…tables; under the title of

〃Heures de Paris。〃 I refer here to the great men; to the masters of

the public intellect。  With the exception of Buffon; all put pimento

into their sauces; that is to say; loose talk or coarseness of

expression。  We find this even in the〃 Esprit des Lois;〃 there is an

enormous amount of it; open and covered up; in the 〃Lettres Persanes。〃

Diderot; in his two great novels; puts it in by handfuls; as if during

an orgy。  The teeth crunch on it like so many grains of pepper; on

every page of Voltaire。  We find it; not only piquant; but strong and

of burning intensity; in the 〃Nouvelle Hélo?se;〃 scores of times in 〃

Emile;〃 and; in the 〃Confessions;〃 from one end to the other。  It was

the taste of the day。  M。 de Malesherbes; so upright and so grave;

committed 〃La Pucelle〃 to memory and recited it。  We have from the pen

of Saint…Just; the gloomiest of the 〃Mountain;〃 a poem as lascivious

as that of Voltaire; while Madame Roland; the noblest of the

Girondins; has left us confessions as venturesome and specific as

those of Rousseau'15'。   …  On the other hand there is a second box;

that containing the old Gallic salt; that is to say; humor and

raillery。  Its mouth is wide open in the hands of a philosophy

proclaiming the sovereignty of reason。  Whatever is contrary to Reason

is to it absurd and therefore open to ridicule。  The moment the solemn

hereditary mask covering up an abuse is brusquely and adroitly torn

aside; we feel a curious spasm; the corners of our mouth stretching

apart and our breast heaving violently; as at a kind of sudden relief;

an unexpected deliverance; experiencing a sense of our recovered

superiority; of our revenge being gratified and of an act of justice

having been performed。  But it depends on the mode in which the mask

is struck off whether the laugh shall be in turn light or loud;

suppressed or unbridled; now amiable and cheerful; or now bitter and

sardonic。  Humor (la plaisanterie) comports with all aspects; from

buffoonery to indignation; no literary seasoning affords such a

variety; or so many mixtures; nor one that so well enters into

combination with that above…mentioned。  The two together; from the

middle ages down; form the principal ingredients employed by the

French cuisine in the composition of its most agreeable dainties;  …

fables; tales; witticisms; jovial songs and waggeries; the eternal

heritage of a good…humored; mocking people; preserved by La Fontaine

athwart the pomp and sobriety of the seventeenth century; and; in the

eighteenth; reappearing everywhere at the philosophic banquet。  Its

charm is great to the brilliant company at this table; so amply

provided; whose principal occupation is pleasure and amusement。  It is

all the greater because; on this occasion; the passing disposition is

in harmony with h
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