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the origins of contemporary france-1-第100章

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philosophy descending to the drawing room。



This organ is the 〃talent of speech; eloquence applied to the

gravest subjects; the talent for making things clear。〃 '5'〃The great

writers of this nation;〃 says their adversary; 〃express themselves

better than those of any other nation。  Their books give but little

information to true savants;〃 but 〃through the art of expression they

influence men〃 and 〃the mass of men; constantly repelled from the

sanctuary of the sciences by the dry style and bad taste of (other)

scientific writers; cannot resist the seductions of the French style

and method。〃 Thus the classic spirit that furnishes the ideas likewise

furnishes the means of conveying them; the theories of the eighteenth

century being like those seeds provided with wings which float and

distribute themselves on all soils。  There is no book of that day not

written for people of the high society; and even for women of this

class。  In Fontenelle's dialogues on the Plurality of worlds the

principal person age is a marchioness。  Voltaire composes his

〃Métaphysique〃 and his 〃Essai sur les Moeurs〃 for Madame du Chatelet;

and Rousseau his 〃Emile〃 for Madame d'Epinay。  Condillac wrote the

〃Traité des Sensations〃 from suggestions of Mademoiselle Ferrand; and

he sets forth instructions to young ladies how to read his 〃Logique。〃

Baudeau dedicates and explains to a lady his 〃Tableau Economique。〃

Diderot's most profound work is a conversation between Mademoiselle de

l'Espinasse and d'Alembert and Bordeu'6'。  Montesquieu had placed an

invocation to the muses in the middle of the 〃Esprit des Lois。〃 Almost

every work is a product of the drawing…room; and it is always one

that; before the public; has been presented with its beginnings。  In

this respect the habit is so strong as to last up to the end of 1789;

the harangues about to be made in the National Assembly are also

passages of bravura previously rehearsed before ladies at an evening

entertainment。  The American Ambassador; a practical man; explains to

Washington with sober irony the fine academic and literary parade

preceding the political tournament in public'7'。



〃The speeches are made beforehand in a small society of young men

and women; among them generally the fair friend of the speaker is one;

or else the fair whom he means to make his friend;; and the society

very politely give their approbation; unless the lady who gives the

tone to that circle chances to reprehend something; which is of course

altered; if not amended。〃



It is not surprising; with customs of this kind; that professional

philosophers should become men of society。  At no time or in any place

have they been so to the same extent; nor so habitually。  The great

delight of a man of genius or of learning here; says an English

traveler; is to reign over a brilliant assembly of people of

fashion'8'。   Whilst in England they bury themselves morosely in their

books; living amongst themselves and appearing in society only on

condition of 〃doing some political drudgery;〃 that of journalist or

pamphleteer in the service of a party; in France they dine out every

evening; and constitute the ornaments and amusement of the drawing…

rooms to which they resort to converse'9'。  There is not a house in

which dinners are given that has not its titular philosopher; and;

later on; its economist and man of science。  In the various memoirs;

and in the collections of correspondence; we track them from one

drawing room to another; from one chateau to another; Voltaire to

Cirey at Madame du Chatelet's; and then home; at Ferney where he has a

theater and entertains all Europe; Rousseau to Madame d'Epinay's; and

M。 de Luxembourg's; the Abbé Barthelemy to the Duchesse de Choiseul's;

Thomas; Marmontel and Gibbon to Madame Necker's; the encyclopedists to

d'Holbach's ample dinners; to the plain and discreet table of Madame

Geoffrin; and to the little drawing room of Mademoiselle de

L'Espinasse; all belonging to the great central state drawing…room;

that is to say; to the French Academy; where each newly elected member

appears to parade his style and obtain from a polished body his

commission of master in the art of discourse。  Such a public imposes

on an author the obligation of being more a writer than a philosopher。

The thinker is expected to concern himself with his sentences as much

as with his ideas。  He is not allowed to be a mere scholar in his

closet; a simple erudite; diving into folios in German fashion; a

metaphysician absorbed with his own meditations; having an audience of

pupils who take notes; and; as readers; men devoted to study and

willing to give themselves trouble; a Kant; who forms for himself a

special language; who waits for a public to comprehend him and who

leaves the room in which he labors only for the lecture…room in which

he delivers his lectures。  Here; on the contrary; in the matter of

expression; all are experts and even professional。  The mathematician

d'Alembert publishes a small treatise on elocution; Buffon; the

naturalist pronounces a discourse on Style; the legist Montesquieu

composes an essay on Taste; the psychologist Condillac writes a volume

on the art of writing。  In this consists their greatest glory;

philosophy owes its entry into society to them。  They withdrew it from

the study; the closed…society and the school; to introduce it into

company and into conversation。



II。  ITS METHOD。



Owing to this method it becomes popular。



〃Madame la Maréchale;〃 says one of Diderot's personages;'10'。  〃I

must consider things from a somewhat higher point of view。〃  …  〃 As

high as you please so long as I understand you。〃  …  〃If you do not

understand me it will be my fault。〃  …  〃 You are very polite; but you

must know that I have studied nothing but my prayer。  book。〃  …   That

makes no difference; the pretty woman; ably led on; begins to

philosophize without knowing it; arriving without effort at the

distinction between good and evil; comprehending and deciding on the

highest doctrines of morality and religion。    …  Such is the art of

the eighteenth century; and the art of writing。  People are addressed

who are perfectly familiar with life; but who are commonly ignorant of

orthography; who are curious in all directions; but ill prepared for

any; the object is to bring truth down to their level'11'。  Scientific

or too abstract terms are inadmissible; they tolerate only those used

to ordinary conversation。  And this is no obstacle; it is easier to

talk philosophy in this language than to use it for discussing

precedence and clothes。  For; in every abstract question there is some

leading and simple conception on which the rest depends; those of

unity; proportion; mass and motion in mathematics; those of organ;

function and being in physiology; those of sensation; pain; pleasure

and desire in psychology; those of utility; contract and law in

politics and morality; those of capital; production; value; 
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