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a death in the desert-第6章

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homage of the poet and troubadour; and; when they were no longer



near; forgettingfor that also was a part of Adriance's gift。







Three weeks after Everett had sent his cable; when he made



his daily call at the gaily painted ranch house; he found



Katharine laughing like a schoolgirl。  〃Have you ever thought;〃



she said; as he entered the music room; 〃how much these seances



of ours are like Heine's 'Florentine Nights;' except that I don't



give you an opportunity to monopolize the conversation as Heine



did?〃  She held his hand longer than usual; as she greeted him;



and looked searchingly up into his face。  〃You are the kindest



man living; the kindest;〃 she added; softly。







Everett's gray face colored faintly as he drew his hand



away; for he felt that this time she was looking at him and not



at a whimsical caricature of his brother。  〃Why; what have I done



now?〃 he asked; lamely。  〃I can't remember having sent you any



stale candy or champagne since yesterday。〃







She drew a letter with a foreign postmark from between



the leaves of a book and held it out; smiling。  〃You got him to



write it。  Don't say you didn't; for it came direct; you see; and



the last address I gave him was a place in Florida。  This deed



shall be remembered of you when I am with the just in Paradise。



But one thing you did not ask him to do; for you didn't know about



it。  He has sent me his latest work; the new sonata; the most



ambitious thing he has ever done; and you are to play it for me



directly; though it looks horribly intricate。  But first for the



letter; I think you would better read it aloud to me。〃







Everett sat down in a low chair facing the window seat in



which she reclined with a barricade of pillows behind her。  He



opened the letter; his lashes half…veiling his kind eyes; and saw



to his satisfaction that it was a long onewonderfully tactful



and tender; even for Adriance; who was tender with his valet and



his stable boy; with his old gondolier and the beggar…women who



prayed to the saints for him。







The letter was from Granada; written in the Alhambra; as he



sat by the fountain of the Patio di Lindaraxa。  The air was



heavy; with the warm fragrance of the South and full of the sound



of splashing; running water; as it had been in a certain old



garden in Florence; long ago。  The sky was one great turquoise;



heated until it glowed。  The wonderful Moorish arches threw



graceful blue shadows all about him。  He had sketched an outline



of them on the margin of his notepaper。  The subtleties of Arabic



decoration had cast an unholy spell over him; and the brutal



exaggerations of Gothic art were a bad dream; easily forgotten。 



The Alhambra itself had; from the first; seemed perfectly



familiar to him; and he knew that he must have trod that court;



sleek and brown and obsequious; centuries before Ferdinand rode



into Andalusia。  The letter was full of confidences about his



work; and delicate allusions to their old happy days of study and



comradeship; and of her own work; still so warmly remembered and



appreciatively discussed everywhere he went。







As Everett folded the letter he felt that Adriance had



divined the thing needed and had risen to it in his own wonderful



way。  The letter was consistently egotistical and seemed to him



even a trifle patronizing; yet it was just what she had



wanted。  A strong realization of his brother's charm and intensity



and power came over him; he felt the breath of that whirlwind of



flame in which Adriance passed; consuming all in his path; and



himself even more resolutely than he consumed others。  Then he



looked down at this white; burnt…out brand that lay before him。



〃Like him; isn't it?〃 she said; quietly。







〃I think I can scarcely answer his letter; but when you see



him next you can do that for me。  I want you to tell him many



things for me; yet they can all be summed up in this: I want him



to grow wholly into his best and greatest self; even at the cost



of the dear boyishness that is half his charm to you and me。  Do



you understand me?〃







〃I know perfectly well what you mean;〃 answered Everett;



thoughtfully。  〃I have often felt so about him myself。  And yet



it's difficult to prescribe for those fellows; so little makes;



so little mars。〃







Katharine raised herself upon her elbow; and her face



flushed with feverish earnestness。  〃Ah; but it is the waste of



himself that I mean; his lashing himself out on stupid and



uncomprehending people until they take him at their own estimate。 



He can kindle marble; strike fire from putty; but is it worth



what it costs him?〃







〃Come; come;〃 expostulated Everett; alarmed at her excitement。 



〃Where is the new sonata?  Let him speak for himself。〃







He sat down at the piano and began playing the first



movement; which was indeed the voice of Adriance; his proper



speech。  The sonata was the most ambitious work he had done up to



that time and marked the transition from his purely lyric vein to



a deeper and nobler style。  Everett played intelligently and with



that sympathetic comprehension which seems peculiar to a certain



lovable class of men who never accomplish anything in particular。 



When he had finished he turned to Katharine。







〃How he has grown!〃 she cried。  〃What the three last years have



done for him!  He used to write only the tragedies of passion; but



this is the tragedy of the soul; the shadow coexistent with the



soul。  This is the tragedy of effort and failure; the thing Keats



called hell。  This is my tragedy; as I lie here spent by the



racecourse; listening to the feet of the runners as they pass me。 



Ah; God!  The swift feet of the runners!〃







She turned her face away and covered it with her straining



hands。  Everett crossed over to her quickly and knelt beside her。 



In all the days he had known her she had never before; beyond an



occasional ironical jest; given voice to the bitterness of her



own defeat。  Her courage had become a point of pride with him;



and to see it going sickened him。







〃Don't do it;〃 he gasped。  〃I can't stand it; I really



can't; I feel it too much。  We mustn't speak of that; it's too



tragic and too vast。〃







When she turned her face back to him there was a ghost of the old;



brave; cynical smile on it; more bitter than the tears she could



not shed。  〃No; I won't be so ungenerous; I will save that for the



watches of the night when I have no better company。  Now you may



mix me another drink of some sort。  Formerly; when it was not



if I should
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