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cratylus-第13章

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grandeur of the sound。'  Plato was very willing to use inductive arguments;

so far as they were within his reach; but he would also have assigned a

large influence to chance。  Nor indeed is induction applicable to philology

in the same degree as to most of the physical sciences。  For after we have

pushed our researches to the furthest point; in language as in all the

other creations of the human mind; there will always remain an element of

exception or accident or free…will; which cannot be eliminated。



The question; 'whether falsehood is impossible;' which Socrates

characteristically sets aside as too subtle for an old man (compare

Euthyd。); could only have arisen in an age of imperfect consciousness;

which had not yet learned to distinguish words from things。  Socrates

replies in effect that words have an independent existence; thus

anticipating the solution of the mediaeval controversy of Nominalism and

Realism。  He is aware too that languages exist in various degrees of

perfection; and that the analysis of them can only be carried to a certain

point。  'If we could always; or almost always; use likenesses; which are

the appropriate expressions; that would be the most perfect state of

language。'  These words suggest a question of deeper interest than the

origin of language; viz。 what is the ideal of language; how far by any

correction of their usages existing languages might become clearer and more

expressive than they are; more poetical; and also more logical; or whether

they are now finally fixed and have received their last impress from time

and authority。



On the whole; the Cratylus seems to contain deeper truths about language

than any other ancient writing。  But feeling the uncertain ground upon

which he is walking; and partly in order to preserve the character of

Socrates; Plato envelopes the whole subject in a robe of fancy; and allows

his principles to drop out as if by accident。



II。  What is the result of recent speculations about the origin and nature

of language?  Like other modern metaphysical enquiries; they end at last in

a statement of facts。  But; in order to state or understand the facts; a

metaphysical insight seems to be required。  There are more things in

language than the human mind easily conceives。  And many fallacies have to

be dispelled; as well as observations made。  The true spirit of philosophy

or metaphysics can alone charm away metaphysical illusions; which are

always reappearing; formerly in the fancies of neoplatonist writers; now in

the disguise of experience and common sense。  An analogy; a figure of

speech; an intelligible theory; a superficial observation of the

individual; have often been mistaken for a true account of the origin of

language。



Speaking is one of the simplest natural operations; and also the most

complex。  Nothing would seem to be easier or more trivial than a few words

uttered by a child in any language。  Yet into the formation of those words

have entered causes which the human mind is not capable of calculating。 

They are a drop or two of the great stream or ocean of speech which has

been flowing in all ages。  They have been transmitted from one language to

another; like the child himself; they go back to the beginnings of the

human race。  How they originated; who can tell?  Nevertheless we can

imagine a stage of human society in which the circle of men's minds was

narrower and their sympathies and instincts stronger; in which their organs

of speech were more flexible; and the sense of hearing finer and more

discerning; in which they lived more in company; and after the manner of

children were more given to express their feelings; in which 'they moved

all together;' like a herd of wild animals; 'when they moved at all。' 

Among them; as in every society; a particular person would be more

sensitive and intelligent than the rest。  Suddenly; on some occasion of

interest (at the approach of a wild beast; shall we say?); he first; they

following him; utter a cry which resounds through the forest。  The cry is

almost or quite involuntary; and may be an imitation of the roar of the

animal。  Thus far we have not speech; but only the inarticulate expression

of feeling or emotion in no respect differing from the cries of animals;

for they too call to one another and are answered。  But now suppose that

some one at a distance not only hears the sound; but apprehends the

meaning:  or we may imagine that the cry is repeated to a member of the

society who had been absent; the others act the scene over again when he

returns home in the evening。  And so the cry becomes a word。  The hearer in

turn gives back the word to the speaker; who is now aware that he has

acquired a new power。  Many thousand times he exercises this power; like a

child learning to talk; he repeats the same cry again; and again he is

answered; he tries experiments with a like result; and the speaker and the

hearer rejoice together in their newly…discovered faculty。  At first there

would be few such cries; and little danger of mistaking or confusing them。 

For the mind of primitive man had a narrow range of perceptions and

feelings; his senses were microscopic; twenty or thirty sounds or gestures

would be enough for him; nor would he have any difficulty in finding them。 

Naturally he broke out into speechlike the young infant he laughed and

babbled; but not until there were hearers as well as speakers did language

begin。  Not the interjection or the vocal imitation of the object; but the

interjection or the vocal imitation of the object understood; is the first

rudiment of human speech。



After a while the word gathers associations; and has an independent

existence。  The imitation of the lion's roar calls up the fears and hopes

of the chase; which are excited by his appearance。  In the moment of

hearing the sound; without any appreciable interval; these and other latent

experiences wake up in the mind of the hearer。  Not only does he receive an

impression; but he brings previous knowledge to bear upon that impression。 

Necessarily the pictorial image becomes less vivid; while the association

of the nature and habits of the animal is more distinctly perceived。  The

picture passes into a symbol; for there would be too many of them and they

would crowd the mind; the vocal imitation; too; is always in process of

being lost and being renewed; just as the picture is brought back again in

the description of the poet。  Words now can be used more freely because

there are more of them。  What was once an involuntary expression becomes

voluntary。  Not only can men utter a cry or call; but they can communicate

and converse; they can not only use words; but they can even play with

them。  The word is separated both from the object and from the mind; and

slowly nations and individuals attain to a fuller consciousness of

themselves。



Parallel with this mental process the articulation of sounds is gradually

becoming perfected。  Th
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