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forty centuries of ink-第7章

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ink…writing instruments in vogue would have necessitated

the employment of lampblack suspended in a

vehicle of thick gum; or in the form of a paint。 Both

of these maybe termed pigmentary inks。 The use of

thin inks would have caused spreading or blotting and

thus rendered the writing illegible。



The Encyclopaedia Britannica generalizes its remarks

on this subject:



〃The earliest writings were purely monumental

and accordingly those materials were chosen which

were supposed to last the longest。 The same idea

of perpetuity which in architecture finds its most

striking exposition in the pyramids was repeated;

in the case of literary records; in the two columns

mentioned by Josephus; the one of stone and the

other of brick; on which the children of Seth wrote

their inventions and astronomical discoveries; in

the pillars in Crete on which; according to Porphyry;

the ceremonies of the Corybantes were inscribed;

in the leaden tablets containinlu the works of Hesiod;

deposited in the temple of the Muses; in Boeotia;

in the ten commandments on stone delivered by

Moses; and in the laws of Solon; inscribed on planks

of wood。 The notion of a literary production surviving

the destruction of the materials on which it

was first writtenthe 'momentum; aere perennius'

of Horace's ambitionwas unknown before the discovery

of substances for systematic transcription。



〃Tablets of ivory or metal were in common use

among the Greeks and Romans。 When made of

woodsometimes of citron; but usually of beech or

firtheir inner sides were coated with wax; on

which the letters were traced with a pointed pen or

stiletto (stylus); one end of which was used for

erasure。 It was with his stylus that Caesar stabbed

Casca in the arm when attacked by his murderers。

Wax tablets of this kind continued in partial use in

Europe during the middle ages; the oldest extant

specimen; now in the museum at Florence; belongs

to the year 1301。〃



Later the Hebrew Scriptures were written in ink or

paint upon the skins of ceremonially clean animals or

even birds。 These were rolled upon sticks and fastened

with a cord; the ends of which were sealed when

security was an object。 They were written in columns;

and usually upon one side; only。 The writing was

from right to left; the upper margin was three fingers

broad; the lower one four fingers; a breadth of two

fingers separated the columns。 The columns ran across

the width of the sheet; the rolled ends of which were

held vertically in the respective hands。 When one

column was read; another was exposed to view by unrolling

it from the end in the left hand; while the

former was hidden from view by rolling up the end

grasped by the right band。 The pen was a reed; the

ink black; carried in a bottle suspended from the girdle。



The Samaritan Pentateuch is very ancient; as is

proved by the criticisms of Talmudic writers。 A copy

of it was acquired in 1616 by Pietro della Valle; one

of the first discoverers of the cuneiform inscriptions。

It was thus introduced to the notice of Europe。 It is

claimed by the Samaritans of Nablus that their copy

was written by Abisha; the great…grandson of Aaron;

in the thirteenth year of the settlement of the land of

Canaan by the children of Israel。 The copies of it

brought to Europe are all written in black ink on vellum

or 〃cotton〃 paper; and vary from 12mo to

folio。 The scroll used by the Samaritans is written in

gold letters。 (See Smith's 〃Dictionary of the Bible;〃

vol。 III; pp。 1106…1118。) Its claims to great antiquity

are not admitted by scholars。



The enumeration of some of the modes of writing

may be interesting:



The Mexican writing is in vertical columns; beginning

at the bottom。



The Chinese and Japanese write in vertical columns;

beginning at the top and passing from left to right。



The Egyptian hieroglyphics are written invertical

columns or horizontal lines according to the shape and

position of the tablet。 It is said that with the horizontal

writing the direction is indifferent; but that the

figures of men and animals face the beginning of the

line。 With figures; the units stand on the left。



The Egyptians also wrote from right to left in the

hieratic and demotic and enchorial styles。 The Palasgians

did the same; and were followed by the Etruscans。

In the demotic character; Dr。 Brugsch remarks

that though the general direction of the writing was

usually from right to left; yet the individual letters were

formed from left to right; as is evident from the unfinished

ends of horizontal letters when the ink failed

in the pen。



In writing numbers in the hieratic and enchorial

the units were placed to the left。 The Arabs write

from right to left; but received their numerals from

India; whence they call them 〃Hindee;〃 and there the

arrangement of their numerals is like our own; units

to the right。



The following noteworthy passage is taken from

Humphreys' work 〃On the Origin and Progress of the

Art of Writing:〃



〃Nearly all the principal methods of ancient

writing may be divided into square capitals; rounded

capitals; and cursive letters; the square capitals

being termed simply capitals; the rounded capitals

uncials; and the small letters; or such as had

changed their form during the creation of a running

hand; minuscule。 Capitals are; strictly speaking;

such letters as retain the earliest settled form of

an alphabet; being generally of such angular

shapes as could conveniently be carved on wood or

stone; or engraved in metal; to be stamped on

coins。 The earliest Latin MSS。 known are written

entirely in capitals like inscriptions in metal or

marble。

     *    *    *    *    *



The uncial letters; as they are termed; appear

to have arisen as writing on papyrus or vellum became

common; when many of the straight lines of

the capitals; in that kind of writing; gradually acquired

a curved form; to facilitate their more rapid

execution。 However this may be; from the sixth

to the eighth; or even 10th century; these uncials

or partly rounded capitals prevail。



〃The modern minuscule; differing from the ancient

cursive character; appears to have arisen in

the following manner: During the 6th and 7th

centuries; a kind of transition style prevailed in

Italy and some other parts of Europe; the letters

composing which have been termed semi…uncials;

which; in a further transition; became more like

those of the old Roman cursive。 This manner;

when definitely formed; became what is now termed

the minuscule manner; it began to prevail over

uncials in a certain class of MSS。 about the 8th

century; and towards the 10th its general use was;

with few exceptions; established。 It is said to

have been occasionally used as early as the 5th

century; but I am unable to cite an authentic existing

monument。 The Psalter of Alfred the Great;

written in the 9th century; is in a small 
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