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forty centuries of ink-第53章

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MANUFACTURERS OF THE NINETEENTH CENTURY。



THE consideration of the effect of the use of ink

upon civilization from primitive times to the present;

as we have seen; offers a most suggestive field and

certifies to the importance of the manufacture of honest

inks as necessary to the future enlightenment of

society。 That it has not been fully understood or

even appreciated goes without saying; a proper generalization

becomes possible only in the light of corroborative

data and the experiences of the many。



History has not given us the names of ancient ink

makers; but we can believe there must have been

during a period of thousands of years a great many;

and that the kinds and varieties of inks were without

number。 Those inks which remain to us are to be

found only as written with on ancient MSS。; they

are of but few kinds; and in composition and appearance

preserve a phenomenal identity; though belonging

to countries and epochs widely separated。 This

identity leads to the further conclusion that ink making

must have been an industry at certain periods;

overlooked by careful compounders who distributed

their wares over a vast territory。



〃Gall〃 ink and 〃linen〃 paper as already stated are

Asiatic inventions。 Both of them seem to have entered

Europe by way of Arabia; 〃hand in hand〃 at the very

end of the eleventh or beginning of the twelfth centuries

and for the next two hundred years; notwithstanding

the fact that chemistry was almost an unknown science

and the secrets of the alchemists known only to the

few; this combination gradually came into general

vogue。



In the fourteenth century we find one or both of

them more or less substituted for 〃Indian〃 ink; parchment;

vellum and 〃cotton〃 paper。 It was; however;

the monks and scribes who manufactured for their

own and assistants' use 〃gall〃 ink; just as they had

been in the habit of preparing 〃Indian〃 ink when

required; which so far as known was not always a

commodity。



As an industry it can be said to have definitely

begun when the French government recognized the

necessity for one; A。 D。 1625; by giving a contract

for 〃a great quantity of 'gall ink' to Guyot;〃 who

for this reason seems to occupy the unique position

of the father of the modern ink industry。



Ink manufacture as a growing industry heretofore

and to a large extent at present; occupies a peculiarly

anomalous situation。 Other industries follow the law

of evolution which may perhaps bear criticism; but

the ink industry follows none; nor does it even pretend

to possess any。



Thousands are engaged in its pursuit; few of whom

understand either ink chemistry or ink phenomena。

The consumer knows still less; and with blind confidence

placidly accepts nondescript compounds labeled

〃Ink;〃 whether purchased at depots or from 〃combined〃

itinerant manufacturing peddlers and with

them write or sign documents which some day may

disturb millions of property。 And yet in a comparative

sense it has outpaced all other industries。



With the commencement of the eighteenth century

we find the industry settling in Dresden; Chemnitz;

Amsterdam; Berlin; Elberfield and Cologne。 Still

later in London; Vienna; Paris; Edinburgh and Dublin;

and in the first half of the nineteenth century in

the United States; it had begun to make considerable

progress。



Among the first pioneers of the later modern ink

industry abroad; may be mentioned the names of

Stephens; Arnold; Blackwood; Ribaucourt; Stark;

Lewis; Runge; Leonhardi; Gafford; Bottger; Lipowitz;

Geissler; Jahn; Van Moos; Ure; Schmidt; Haenle; Elsner;

Bossin; Kindt; Trialle; Morrell; Cochrane; Antoine;

Faber; Waterlous; Tarling; Hyde; Thacker; Mordan;

Featherstone; Maurin; Triest and Draper。



In the period covered by the nineteenth century

at home; the legitimate industry included over 300

ink makers。 Those best known are Davids; Maynard

and Noyes; Carter; Underwood; Stafford; Moore; Davis;

Thomas; Sanford; Barnes; Morrell; Walkden; Lyons;

Freeman; Murray; Todd; Bonney; Pomeroy; Worthington;

Joy; Blair; Cross; Dunlap; Higgins; Paul; Anderson;

Woodmansee; Delang; Allen; Stearns; Gobel; Wallach;

Bartram; Ford and Harrison。



The ink phenomena included in the past eighty

years has demonstrated a continuing retrogression in

ink manufacture and a consequent deterioration of

necessary ink qualities。 When the attention of some

ink makers are addressed to these sad facts; they

attribute them; either to the demand of the public

for an agreeable color and a free flowing ink; or to an

inability to compete with inferior substitutes; which

have flooded the market since the discovery of the

coal tar colors; they have been compelled to depart

from old and tried formulas; in the extravagant use

(misuse) of the so…called 〃added〃 color。



An exceptional few of the older firms continue to

catalogue unadulterated 〃gall〃 inks; but the demand

for them except in localities where the law

COMPELS their employment; is only little。



Interesting deductions can be made from the accompanying

brief sketches of the leading ink manufacturers

of the world。



The 〃Arnold〃 brand of inks possesses a worldwide

reputation; although not always known by that

name; beginning A。 D。 1724 under the style of R。

Ford; and continuing until 1772; when the firm name

was changed to William Green & Co。 In 1809 it became

J。 & J。 Arnold; who were succeeded in 1814 by

Pichard and John Arnold; the firm name by which it

is known at the present day。 This last named concern

located at 59 Barbican; on the site of the old

City Hall in London; and later moved to their present

address; No。 155 Aldersgate street。 The inks made

by the 〃fathers〃 of the firm were 〃gall〃 inks WITHOUT

〃added〃 color。 At the commencement of the nineteenth

century we find them making tanno…gallate of

iron inks to which were added extractive matter from

logwood and other materials to form thick fluids for

shipment to Brazil; India and the countries where

brushes or reeds were used as writing instruments。

For the more civilized portions of the world similar

inks but of an increased fluidity were supplied; that

the quill pens might be employed。 The demands for

still more fluid inks which would permit the use of

steel pens; resulted in the modern blue…black chemical

writing fluid; the 〃added〃 blue portion being

indigo in some form。 It was first put on the market

in 1830。 They manufacture over thirty varieties of

ink; but only one real 〃gall〃 ink without 〃added〃 color。



In the early part of May; 1824; Thaddeus Davids

started his ink factory at No。 222 William street;

New York City。 His first and best effort was a

strictly pure tanno…gallate of iron ink; which he

placed on the market in 1827 under the name of

〃Steel Pen Ink;〃 guaranteed to write black and to

possess 〃record〃 qualities。 In 1833 he made innovations

following the lines laid down by Arn
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