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forty centuries of ink-第29章

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to 〃The Universal Penman。〃



1725。



Edward Dawson; writing master and contributor

to 〃The Universal Penman。〃



1726。



Moses Gratwick; writing master and contributor

to 〃The Universal Penman。〃



1727。



John Langton; 〃The Italien Hand。〃



1728。



John Day; writing master and contributor to

〃The Universal Penman。〃



1729。



Gabriel Brooks; writing master and contributor

to; 〃The Universal Penman。〃



1730。



William Keppax; writing master and contributor

to 〃The Universal Penman。〃



1730。



John Bland; 〃Essay in Writing。〃 Also contributor

to 〃The Universal Penman。〃



1730。



Solomon Cook; 〃The Modish Round Hand。〃



1730。



William Leckey; 〃A Discourse on the Use of

the Pen。〃 Contributor to 〃The Universal Penman。〃



1730。



Peter Norman; writing master and contributor

to 〃The Universal Penman。〃



1730。



Wellington Clark; writing master and contributor

to 〃The Universal Penman。〃



1730。



Zachary Chambers; 〃Vive la Plume。〃 Contributor

to 〃The Universal Penman。〃



1733。



Bright Whilton; writing master and contributor

to 〃The Universal Penman。〃



1734。



Timothy Treadway; writing master and contributor

to 〃The Universal Penman。〃



1738。



George J。 Bickham; writing master; also wrote

for 〃Bickham's Universal Penman。〃



1739。



Emanuel Austin; writing master; he wrote 22

pages in 〃The Universal Penman。〃



1739。



Samuel Vaux; writing master and contributor

to 〃The Universal Penman。〃



1740。



Jeremiah Andrews; writing master and tutor

to King George III。



1740。



Nathaniel Dove; 〃The Progress of Time;〃 and

contributor to 〃The Universal Penman。〃



1741。



John Blande; 〃Essay in Writing; 1730; contributor

to 〃The Universal Penman。〃



1741。



Richard Morris; writing master and contributor

to 〃The Universal Penman。〃



1747。



Mary Johns; microscopic writer and author。



1749。



Charles Woodham; 〃A Specimen of Writing;

in the most Useful Hands now Practised in England。〃



1750。



John Oldfield; 〃Honesty。〃 He wrote one piece

in 〃The Universal Penman。〃



1750。



Joseph Champion; 〃The Parallel or Comparative

Penmanship。〃 1762; 〃The Living Hands。〃



1751。



Edward Lloyd; 〃Young Merchants Assistant。〃



1758。



Richard Clark; 〃Practical and Ornamental Penmanship。〃



1760。



Benjamin Webb; writer of copy books; etc。



1762。



William Chinnery; 〃The Compendious Emblematist。〃



1763。



William Massey; 〃The Origin and Progress of

Letters;〃 containing valuable information

about the art。



1769。



John Gardner; 〃Introduction to the Counting

House。〃



1780。



Edward Powell; writing master and designer。



1784。



E。 Butterworth; 〃The Universal Penman〃 in

two parts; published in Edinburgh。



1795。



William Milns; 〃The Penman's Repository。〃



1799。



William G。 Wheatcroft; 〃The Modern Penman。〃



1814。



John Carstairs; 〃Tachygraphy; or the Flying

Pen。〃 2。 〃Writing made easy; etc。〃



Illustrated works on the subject of penmanship of

contemporaneous times and not of English origin are

but few。 The best known are:



1543。



Luduvico Vicentino; 〃A Copy book〃 published

in Rome; seems to have been the first。



1570。



Il perfetto Scrittore (The Perfect Writer) by

Francesco Cresci; published in Rome。



1605。



Spieghel der Schrijkfkonste (or Mirror of

Penmanship) written by Van den Velde; published

in Amsterdam。



1612。



〃Writing and Ink Recipes;〃 by Peter Caniparius;

Venice and London。



1700。



Der Getreue Schreibemeister (or True Writing

Master); by Johann Friedr Vicum; published

in Dresden。



From 1602 to 1709 many 〃Indian〃 ink specimens

were extant and are still of the different schools of

penmanship。 The productions of Phrysius; Materot and

Barbedor illustrating the French style; Vignon; Sellery

and others; for the Italian hand; and Overbique and

Smythers for the German text; and Ambrosius Perlengh

and Hugo; with a few more; complete the list。









CHAPTER XII。



STUDY OF INK。



LACK OF INTEREST AS TO THE COMPOSITION OF INK DURING

PART OF THE EIGHTEENTH CENTURYTHE CONDITIONS

WHICH THEN PREVAILED NEARLY THE SAME AS

THE PRESENT TIMECHEMISTRY OF INK NOT UNDERSTOOD

THIS LACK OF INFORMATION NOT CONFINED TO

ANY PARTICULAR COUNTRYLEWIS; IN 1765; BEGINS

A SCIENTIFIC INVESTIGATION ON THE SUBJECT OF INKS

THE RESULTS AND HIS CONCLUSIONS PUBLISHED IN

1797THE ROYAL SOCIETY OF ENGLAND IN 1787 RECEIVES

COMPLAINTS ABOUT THE INFERIORITY OF INKS

ITS SECRETARY READS A PAPER THE SAME YEARTHE

PAPER CITED IN FULLDR。 BOSTOCK IN 1830 COMMUNICATES

TO THE SOCIETY OF ARTS WHAT HE ESTIMATES

TO BE THE CAUSES OF IMPERFECTIONS IN INK

ACTION OF THE FRENCH ACADEMY OF SCIENCES

COMPLICATIONS SURROUNDING THE MANUFACTURE OF INK

ONLY THIRTY…FIVE YEARS AGO。



THE increasing demands for ink; and the lack of interest

as to its composition during the eighteenth

century; if viewed in the same lights which prevail in

our own times; permitted the general manufacture of

cheap grades of ink which possessed no very lasting

qualities。 The chemistry of Inks was not fully understood;

indeed we find Professer Turner of the College

of Edinburgh declaring in 1827:



〃Gallic acid was discovered by Scheele in 1786;

and exists ready formed in the bark of many trees;

and in gall…nuts。 It is always associated with

tannin; a substance to which it is allied in a manner

hitherto unexplained。 It is distinguished from

tannin by causing no precipitate in a solution of

gelatine。 With a salt of iron it forms a dark blue

coloured compound; which is the basis of ink。 The

finest colour is procured when the peroxide and

protoxide of iron are mixed together。 This character

distinguishes gallic acid from every other substance

excepting tannin。〃



The general lack of information or knowledge respecting

ink chemistry or its time…phenomena was not

confined to any particular country; and it does not

appear that any general or specific attention was

scientifically directed to it until 1765; when William

Lewis; F。 R。 S。; an English chemist; publicly announced

that he proposed to investigate the subject。

His experimentations covered a period of many years

and their results and his theories as to the phenomena

of inks were published in 1797。 The most valuable

of his conclusions were that an excess of iron salt in

the ink is detrimental to color permanence (such ink

becoming brown on exposure) and also that acetic

acid in the menstruum provides an ink of greater

body and blackness than sulphuric acid does (a circumstance

due to the smaller resistance of acetic acid

to the formation of iron gallo…tannate)。 Many of his

other observations were later shown to have been

erroneous。 Dr。 Lewis was the first to ad
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