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forty centuries of ink-第22章

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EARLIER ONESAPPEARANCE OF TANNO…GALLATE OF

IRON INK IN THE TWELFTH CENTURYITS INTRODUCTION

LOCATES THE EPOCH WHEN THE MODERN INK OF

TO…DAY FIRST CAME INTO VOGUEITS APPROVAL AND

ADOPTION BY THE FATHERS OF THE CHURCHTHE

INVENTION NOT ITALIAN BUT ASIATICITS ARRIVAL

FROM ASIA FROM THE WEST AND NOT THE EASTAPPEARANCE

ABOUT THE SAME TIME OF LINEN OR MODERN

PAPERSETTLEMENT OF OLD CONTROVERSIES ABOUT

ANCIENT SO…CALLED COTTON PAPER…DE VINNE'S COMMENT

ABOUT PAPER AND PAPER…MAKINGCURIOUS

CONTRACT OF THE FOURTEENTH CENTURY。



THE 〃Secretas〃 of the twelfth century; in so far as

they relate to methods of making ink; indicate many

departures from those contained in the more ancient

ones。 Frequent mention is made of sour galls; aleppo

galls; green and blue vitriol; the lees of wine; black

amber; sugar; fish…glue and a host of unimportant materials

as being employed in the admixture of black

inks。 Combinations of some of these materials are

expressed in formulas; the most important one of

which details with great particularity the commingling

together of an infusion of nut…galls; green vitriol (sulphate

of iron) and fish…glue (isinglass); the two first

(tanno…gallate of iron) when used alone; forms the sole

base of all unadulterated 〃gall〃 inks。



Dates are appended to some of these ink and other

formulas。 The 〃tanno…gallate of iron〃 one has; however;

no date。 But as it appears closely following

a date of A。 D。 1126; it must have been written about

that time。



Documents; public and private; bearing dates nearly

contemporary with that era; written in ink of like

type; are still extant; confirming in a remarkable

degree the 〃Secreta〃 formula; and establishing the

fact that the first half of the twelfth century marks

the epoch in which the 〃gall〃 or modern ink of today

came into vogue。



Its adoption by the priests stamped it with the

seal of the Church and the arrival from the West

about the same period of flax or linen paper with the

added fact that these assimilated so well together;

later placed them both on the popular basis which

has continued to the present time。



While the Secreta which contains the 〃gall〃 ink

formula is of Italian origin; the invention of this ink

belongs solely to an Asiatic country; from whence in

gradual stages by way of Arabia; Spain and France;

it finally reached Rome。 Thence; through the Church;

information about it was conveyed to wherever civilization

existed。



We are not confined in our investigations of ancient

MSS。 to any particular locality or date; as the twelfth;

thirteenth; fourteenth and fifteenth centuries are prolific

of 〃gall〃 ink monuments covering an immense

territory。 Such inks when used unadulterated; remain

in an almost pristine color condition; while the

other inks to which some pigment or color had been

added; probably to make them more agreeable in appearance

and more free…flowing; with a mistaken idea

of improving them; are much discolored and in every

instance present but slight indications of their original

condition。



The question of the character of the paper employed

during these eras; composed of different kinds

of fibrous vegetable substances; possesses some importance

when discussing its relationship to inks。 Many

authors certify to the manufacture and use of 〃cotton〃

in the eleventh; twelfth and later centuries。

Madan; however; in treating this subject; makes the

following comments which are in line with my own

observations:



〃Paper has for long been the common substance

for miscellaneous purposes of ordinary writing; and

has at all times been formed exclusively from rags

(chiefly of linen) reduced to pull); poured out on a

frame in a thin watery sheet; and gradually dried

and given consistence by the action of heat。 It

has been a popular belief; found in every book till

1886 (now entirely disproved; but probably destined

to die hard); that the common yellowish thick

paper; with rough fibrous edge; found especially in

Greek MSS。 till the fifteenth century; was paper of

quite another sort; and made of cotton (charta

bombycna; bombyx being usually silk; but also

used of any fine fibre such as cotton)。 The microscope

has at last conclusively shown that these two

papers are simply two different kinds of ordinary

linen…rag paper。〃



De Vinne speaking; of paper and paper…making says:



〃The gradual development of paper…making in

Europe is but imperfectly presented through these

fragmentary facts。 Paper may have been made for

many years before it found chroniclers who thought

the manufacture worthy of notice。 The Spanish

paper…mills of Toledo which were at work in the

year 1085; and an ancient family of paper…makers

which was honored with marked favor by the king

of Sicily in the year 1102; are carelessly mentioned

by contemporary writers as if paper…making was an

old and established business。 It does not appear

that paper was a novelty at a much earlier period。

The bulls of the popes of the eighth and ninth centuries

were written on cotton card or cotton paper;

but no writer called attention to this card; or described

it as a new material。 It has been supposed

that this paper was made in Asia; but it could

have been made in Europe。 A paper…like fabric;

made from the barks of trees; was used for writing

by the Longobards in the seventh century; and a

coarse imitation of the Egyptian papyrus; in the

form of a strong brown paper; had been made by

the Romans as early as the third century。 The

art of compacting in a web the macerated fibres of

plants seems to have been known and practised to

some extent in Southern Europe long before the

establishment of Moorish paper…mills。



〃The Moors brought to Spain and Sicily not an

entirely new invention; but an improved method of

making paper; and what was more important; a culture

and civilization that kept this method in constant

exercise。 It was chiefly for the lack of ability

and lack of disposition to put paper to proper use

that the earlier European knowledge of paper…

making was so barren of results。 The art of book…

making as it was then practised was made subservient

to the spirit of luxury more than to the desire

for knowledge。 Vellum was regarded by the copyist

as the only substance fit for writing on; even

when it was so scarce that it could be used only for

the most expensive books。 The card…like cotton

paper once made by the Saracens was certainly

known in Europe for many years before its utility

was recognized。 Hallam says that the use of this

cotton paper was by no means general or frequent;

except in Spain or Italy; and perhaps in the south

of France; until the end of the fourteenth century。

Nor was it much used in Italy for books。



〃Paper came before its time and had to wait for

recognition。 It was sorely needed。 The Egyptian

manufacture of papyrus; which was in a state of

decay in the seventh 
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