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forty centuries of ink-第21章

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used in the manufacture of ink。 All ink is improved

by exposure to the sun's rays。 Book…writers'

ink has gum mixed with it;weavers' ink is

made up with glue。 Ink whose materials have been

liquified by the agency of an acid is erased with

great difficulty。〃



There are but few exceptions respecting the general

sameness of ink receipts of the succeeding centuries;

one of which is the 〃Pomegranate;〃 credited

to the seventh century but really belonging to an earlier

period:



〃Of the dried Pommegranite (apple) rind take

an ounce; boil it in a pint of water until 3/4 be

gone; add 1/2 pint of small beer wort and once

more boil it away so that only a 1/4 pint remain。

After you shall have strained it; boiling hot through

a linnen cloth and it comes cold; being then of a

glutinous consistence; drop in a 'bit' of Sal Alkali

and add as much warm water as will bring it to a

due fluidity and a gold brown color for writing with

a pen。〃



Following this formula and without any modifications;

I obtained an excellent ink of durable quality;

but of poor color; from a standpoint of blackness。



A less ancient 〃Secreta;〃 signed by the Italian

monk 〃Theophilus;〃 who lived about the commencement

of the eleventh century; is most interesting:



〃To make ink; cut for yourself wood of the

thorn…trees in April or May; before they produce

flowers or leaves; and collecting them in small bundles;

allow them to lie in the shade for two; three;

or four weeks; until they are somewhat dry。 Then

have wooden mallets; with which you beat these

thorns upon another piece of hard wood; until you

peel off the bark everywhere; put which immediately

into a barrelful of water。 When you have

filled two; or three; or four; or five barrels with

bark and water; allow them so to stand for eight

days; until the waters imbibe all the sap of the bark。

Afterwards put this water into a very clean pan; or

into a cauldron; and fire being placed under it; boil

it; from time to time; also; throw into the pan some

of this bark; so that whatever sap may remain in it

may be boiled out。 When you have cooked it a

little; throw it out; and again put in more; which

done; boil down the remaining water unto a third

part; and then pouring it out of this pan; put it

into one smaller; and cook it until it grows black

and begins to thicken; add one third part of pure

wine; and putting it into two or three new pots;

cook it until you see a sort of skin show itself on

the surface; then taking these pots from the fire;

place them in the sun until the black ink purifies itself

from the red dregs。 Afterwards take small

bags of parchment carefully sewn; and bladders;

and pouring in the pure ink; suspend them in the

sun until all is quite dry; And when dry; take from

it as much as you wish; and temper it with wine

over the fire; and; adding a little vitriol; write。

But; if it should happen through negligence that

your ink be not black enough; take a fragment of

the thickness of a finger and putting it into the

fire; allow it to glow; and throw it directly into the

ink。〃



After reciting many receipts which pertain to other

arts; this good old monk concludes:



〃When you shall have re…read this often; and

have committed it to your tenacious memory; you

shall thus recompense me for this care of instruction;

that; as often as you shall successfully have

made use of my work; you pray for me for the pity

of omnipotent God; who knows that I have written

these things which are here arranged; neither

through love of human approbation; nor through

desire of temporal reward; nor have I stolen anything

precious or rare through envious jealousy; nor

have I kept back anything reserved for myself

alone; but; in augmentation of the honour and

glory of His name; I have consulted the progress

and hastened to aid the necessities of many men。〃



The 〃thorn〃 trees which Theophilus mentions are

asserted by some writers (with whom I do not

agree) to be those commonly known as the 〃Norway

spruce;〃 a species of pine of lofty proportions sometimes

rising to the height of 150 feet with a trunk

from four to five feet in diameter。 It lives to a great

age believed to exceed in many instances 450 years。

The leaves (needles; thorns) are short but stand thickly

upon the branches and are of a dusky green color

shining on the upper surface; the fruit is nearly

cylindrical in form and of a purple color covered with

scales ragged at the edges。 It is a native of Europe

and Northern Asia。 It furnishes the material known

as Burgundy pitch which is obtained by removing the

juice which is secreted in the bark of the tree; it is

purified by a melting process and straining either

through a cloth or a layer of straw。 It gives forth a

peculiar odor not unpleasant; resembling turpentine。

The Burgundy pitch or rosin is soluble in hot alcohol

(spirits of wine)。



An ink prepared after the method laid down by this

monk; assuming that he referred to the spruce…pine;

while troublesome to write with; would be almost as

lasting as 〃Indian〃 ink and would be most difficult

to erase from parchment into which it would be absorbed

due to its alcoholic qualities。



〃The ink;〃 remarks Montfaucon; 〃which we see in

the most ancient Greek manuscripts; has evidently

lost much of its pristine blackness; yet neither has it

become altogether yellow or faint; but is rather tawny

or deep red; and often not far from a vermillion。〃

While there are some monuments of this kind of ink

in fair condition of the fourth and succeeding centuries;

they aggregate but a very small proportion of

the vast number of principally Indian ink specimens

which remain to us of those epochs。 As exemplars;

however; of a forgotten class of inks belonging to a still

more remote antiquity; careful research adduces certain

proof of their existence more than nine hundred

years before the Christian era commenced。



Reference has earlier been made to the ancient

Myrobolam ink; which was characteristically the same

in color phenomena as those which Montfaucon mentions。

These 〃tawny〃 colored inks I estimate were

products obtained from the 〃thorn〃 trees spoken of

by the monk Theophilus。 The thorn trees were of

two species。 The pomegranate; anciently called the

〃Punic apple;〃 because it was largely employed by

the Carthagenians for the purposes of dyeing and

tanning; and the acacia; known in Egyptian times

as the lotus。 The former was held in such high esteem

that the Arabians and Egyptians made it an emblem

to designate one of their dieties and termed it

raman。



The products of these thorn; trees were collectively

used together as ink; most of the tannin being obtained

from the pomegranate; and the gum from the acacia。







CHAPTER VIII。



MEDIAEVAL INK。



INK SECRETAS OF THE TWELFTH CENTURY COMPARED WITH

EARLIER ONESAPPEARANCE OF TANNO…GALLATE OF

IRON INK 
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