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forty centuries of ink-第17章

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Picolimini relates that the equivalent of eighty

golden crowns was demanded for a small part of the

works of Plutarch。



If we are to believe any of the accounts; the environment

of the art of handwriting and handwriting

materials at the beginning of the fifth century had

contracted within a small compass; due principally to

the general ignorance of the times。



As practiced it was pretty much under the control

of the different religious denominations and the information

obtainable about inks from these sources

is but fragmentary。 What has come down to us of

this particular era is mostly found on the old written

Hebrew relics; showing that they at least had made

no innovations in respect to the use of their ritualistic

deyo。



The invention of the quill pen in the sixth century

permitted a degree of latitude in writing never before

known; the inks were made thinner and necessarily

were less durable in character。 Greater attention was

given to the study and practice of medicine and

alchemy which were limited to the walls of the

cloister and secret places。 The monk physicians endeavored

by oral instructions and later by written

ones to communicate their ink…making methods not

only of the black and colored; but of secret or sympathetic

inks; to their younger brethren; that they might

thus be perpetuated。 All the traditional and practical

knowledge they possessed was condensed into manuscript

forms; additions from other hands which included

numerous chemical receipts for dyeing caused

them to multiply; so that as occasion required from

time to time; they were bound up together booklike

and then circulated among favored secular individuals;

under the name of 〃Secreta。〃



The more remote of such treatises which have come

down to us seem to indicate the trend of the researches

respecting what must have been in those times

unsatisfactory inks。 Scattered through them appear a

variety of formulas which specify pyrites (a combination

of sulphur and metal); metals; stones and other

minerals; soot; (blue) vitriol; calxes (lime or chalk);

dye…woods; berries; plants; and animal colors; some of

which if made into ink could only have been used

with disastrous results; when permanency is considered。



The black ink formulas of the eighth century are

but few; and show marked improvement in respect to

the constituents they call for; indicating that many

of those of earlier times had been tried and found

wanting。 One in particular is worthy of notice as it

names (blue) vitriol; yeast; the lees (dregs) of wine

and the rind of the pomegranate apple; which if

commingled together would give results not altogether

unlike the characteristic phenomena of 〃gall〃 ink。

Confirmation of the employment of such an ink on a

document of the reign of Charlemigne in the beginning

of the ninth century on yellow…brown Esparto

(a Spanish rush) paper; is still preserved。 Specimens

of 〃pomegranate〃 ink; to which lampblack and

other pigments had been added of varying degrees of

blackness; on MSS。; but lessening in number as late as

the fourteenth century; are still extant in the British

Museum and other public libraries。







CHAPTER VI。



INK OF THE WEST。



REMARKS OF ARCH…DEACON CARLISLEWHEN READING

AND WRITING CEASED TO BE MYSTERIESORIGIN

OF THE WORDS CLERK AND SIGNSCARCITY OF MANUSCRIPTS

FOUNDING OF IRISH SCHOOLS OF LEARNING

IN THE SEVENTH CENTURYMONKS NOT PERMITTED

TO USE ARTIFICIAL LIGHT IN PREPARING

MSS。OBSERVATIONS OF MADAN ABOUT THE HISTORY

OF WRITING DURING THE DARK AGESINK…

WRITTEN MSS。 TREASURES。



THE ancient history of the art of writing in more

northern sections of the Western world; William

Nicolson; Arch…Deacon of Carlisle; author of 〃The

English Historical Library;〃 London; 1696; tells very

quaintly:



〃The Danes register'd their more considerable

transactions upon Rocks; or on parts of them;

hewen into various Shapes and Figures。 On these

they engrav'd such Inscriptions as were proper for

their Heathen Alters; Triumphal Arches; Sepulchral

Monuments and Genealogical Histories of

their Ancestors。 Their writings of less concern

(as Letters; Almanacks; &c。) were engraven upon

Wood: And because Beech was most plentiful in

Demnark; (tho Firr and Oak be so in Norway and

Sweden) and most commonly employ'd in these

Services; form the word Bog (which in their Language

is the Name of that sort of Wood) they and

all other Northern Nations have the Name of Book。

The poorer sort used Bark; and the Horns of Rain…

Deer and Elks were often finely polish'd and shaped

into Books of several Leaves。 Many of these old

Calendars are likewise upon Bones of Beasts and

Fishes: But the Inscriptions on Tapestry; Bells;

Parchment and Paper; are of later use。



〃Some other Monuments may be known to be of

a Danish Extraction; tho they carry nothing of a

Runic Inscription。 Few of their Temples were

cover'd; and the largest observ'd by Wormius (at

Kialernes in Island) was 120 foot in length; and 60

in breadth。



〃The next Monument of Age is their Edda

Islandorum; the meaning of which Appellation they

that publish the Book hardly pretend to understand。

As far as I can give the Reader any satisfaction;

he is to。 know that Island was first inhabited (in

the year 874) by a Colony of Norwegians; who

brought hither the Traditions of their Forefathers;

in certain metrical Composures; which (as is usual

with Men transplanted into a Foreign Land) were

here more zealously and carefully preserv'd and

kept in memory than by the Men of Norway themselves。

About 240 years after this (A。 D。 1114)

their History began to be written by one Saemund;

surnam'd Frode or the wise; who (in nine years'

travel through Italy; Germany and England) had

amass'd together a mighty Collection of Historical

Treatises。 With these he return'd full fraught into

Island; where he also drew up an account of

the affairs of his own Country。 Many of his

Works are now said to be lost: But there is still an

Edda; consisting of several Odes (whence I suspect

its Name is derived) written by many several hands;

and at different times; which bears his Name。

The Book is a Collection of Mythological Fables;

relating to the ancient State and Behaviour of the

Great Woden and his followers; in terms poetical

and adapted to the Service of those that were employ'd

in the composure of their old Rhymes and Sonnets。



〃There is likewise extant a couple of Norwegian

Histories of good Authentic Credit; which explains

a great many particulars relating to the Exploits of

the Danish Kings in Great Britain; which our own

Historians have either wholly omitted or very

darkly recorded。 The former of these was written

soon after the year 1130; by one Theodoric a Monk;

who acknowledges his whole Fabrick to be built

upon Tradition; and that the old Northern History

is no where now to be had save only ab I
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