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robert louis stevenson-第35章

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on recognised in himself an  ability to treat subjects which he had hitherto avoided; and was  thus no longer under the necessity of detaching fragments from  life。  Before this; he had largely confined himself to the  adventures of roving men where women had made no entrance; or; if  he treated of a settled family group; the result was what we see in  THE MASTER OF BALLANTRAE。〃


In a word; between this work and WEIR OF HERMISTON we have the  passage from mere youth to manhood; with its wider; calmer views;  and its patience; inclusiveness; and mild; genial acceptance of  types that before did not come; and could not by any effort of will  be brought; within range or made to adhere consistently with what  was already accepted and workable。  He was less the egotist now and  more the realist。  He was not so prone to the high lights in which  all seems overwrought; exaggerated; concerned really with effects  of a more subdued order; if still the theme was a wee out of  ordinary nature。  Enough is left to prove that Stevenson's life… long devotion to his art anyway was on the point of being rewarded  by such a success as he had always dreamt of:  that in the man's  nature there was power to conceive scenes of a tragic beauty and  intensity unsurpassed in our prose literature; and to create  characters not unworthy of his greatest predecessors。  The blind  stroke of fate had nothing to say to the lesson of his life; and  though we deplore that he never completed his masterpieces; we may  at least be thankful that time enough was given him to prove to his  fellow…craftsmen; that such labour for the sake of art is not  without art's peculiar reward … the triumph of successful  execution。



CHAPTER XXIII … EDINBURGH REVIEWERS' DICTA INAPPLICABLE TO LATER  WORK



FROM many different points of view discerning critics have  celebrated the autobiographic vein … the self…revealing turn; the  self…portraiture; the quaint; genial; yet really child…like  egotistic and even dreamy element that lies like an amalgam; behind  all Stevenson's work。  Some have even said; that because of this;  he will finally live by his essays and not by his stories。  That is  extreme; and is not critically based or justified; because; however  true it may be up to a certain point; it is not true of Stevenson's  quite latest fictions where we see a decided breaking through of  the old limits; and an advance upon a new and a fresher and broader  sphere of interest and character altogether。  But these ideas set  down truly enough at a certain date; or prior to a certain date;  are wrong and falsely directed in view of Stevenson's latest work  and what it promised。  For instance; what a discerning and able  writer in the EDINBURGH REVIEW of July 1895 said truly then was in  great part utterly inapplicable to the whole of the work of the  last years; for in it there was grasp; wide and deep; of new  possibilities … promise of clear insight; discrimination; and  contrast of character; as well as firm hold of new and great human  interest under which the egotistic or autobiographic vein was  submerged or weakened。  The EDINBURGH REVIEWER wrote:


〃There was irresistible fascination in what it would be unfair to  characterise as egotism; for it came natural to him to talk frankly  and easily of himself。 。 。 。 He could never have dreamed; like  Pepys; of locking up his confidence in a diary。  From first to  last; in inconsecutive essays; in the records of sentimental  touring; in fiction and in verse; he has embodied the outer and the  inner autobiography。  He discourses … he prattles … he almost  babbles about himself。  He seems to have taken minute and habitual  introspection for the chief study in his analysis of human nature;  as a subject which was immediately in his reach; and would most  surely serve his purpose。  We suspect much of the success of his  novels was due to the fact that as he seized for a substructure on  the scenery and situations which had impressed him forcibly; so in  the characters of the most different types; there was always more  or less of self…portraiture。  The subtle touch; eminently and  unmistakably realistic; gave life to what might otherwise have  seemed a lay…figure。 。 。 。 He hesitated again and again as to his  destination; and under mistakes; advice of friends; doubted his  chances; as a story…writer; even after TREASURE ISLAND had enjoyed  its special success。 。 。 。 We venture to think that; with his love  of intellectual self…indulgence; had he found novel…writing really  enjoyable; he would never have doubted at all。  But there comes in  the difference between him and Scott; whom he condemns for the  slovenliness of hasty workmanship。  Scott; in his best days; sat  down to his desk and let the swift pen take its course in  inspiration that seemed to come without an effort。  Even when  racked with pains; and groaning in agony; the intellectual  machinery was still driven at a high pressure by something that  resembled an irrepressible instinct。  Stevenson can have had little  or nothing of that inspiriting afflatus。  He did his painstaking  work conscientiously; thoughtfully; he erased; he revised; and he  was hard to satisfy。  In short; it was his weird … and he could not  resist it … to set style and form before fire and spirit。〃



CHAPTER XXIV … MR HENLEY'S SPITEFUL PERVERSIONS



MORE unfortunate still; as disturbing and prejudicing a sane and  true and disinterested view of Stevenson's claims; was that article  of his erewhile 〃friend;〃 Mr W。 E。 Henley; published on the  appearance of the MEMOIR by Mr Graham Balfour; in the PALL MALL  MAGAZINE。  It was well that Mr Henley there acknowledged frankly  that he wrote under a keen sense of 〃grievance〃 … a most dangerous  mood for the most soberly critical and self…restrained of men to  write in; and that most certainly Mr W。 E。 Henley was not … and  that he owned to having lost contact with; and recognition of the  R。 L。 Stevenson who went to America in 1887; as he says; and never  came back again。  To do bare justice to Stevenson it is clear that  knowledge of that later Stevenson was essential … essential whether  it was calculated to deepen sympathy or the reverse。  It goes  without saying that the Louis he knew and hobnobbed with; and  nursed near by the Old Bristo Port in Edinburgh could not be the  same exactly as the Louis of Samoa and later years … to suppose so;  or to expect so; would simply be to deny all room for growth and  expansion。  It is clear that the W。 E。 Henley of those days was not  the same as the W。 E。 Henley who indited that article; and if  growth and further insight are to be allowed to Mr Henley and be  pleaded as his justification CUM spite born of sense of grievance  for such an onslaught; then clearly some allowance in the same  direction must be made for Stevenson。  One can hardly think that in  his case old affection and friendship had been so completely  submerged; under feelings of grievance and paltry pique; almost  always bred of grievances dwelt on and nursed; which it is  especially bad for men of genius to acknowledge; and to make a  basis; as it were; for clearer knowledge; insight; and judgment。   In other cases the pl
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