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the purcell papers-2-第30章

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an impression that there exists no such

thing as indigenous modern Irish composition

deserving the name of poetrya

belief which has been thoughtlessly

sustained and confirmed by the unconscion…

able literary perverseness of Irishmen

themselves; who have preferred the easy

task of concocting humorous extravaganzas;

which caricature with merciless exaggeration

the pedantry; bombast; and blunders

incident to the lowest order of Hibernian

ballads; to the more pleasurable and

patriotic duty of collecting together the

many; many specimens of genuine poetic

feeling; which have grown up; like its wild

flowers; from the warm though neglected

soil of Ireland。



In fact; the productions which have

long been regarded as pure samples of

Irish poetic composition; such as 'The

Groves of Blarney;' and 'The Wedding

of Ballyporeen;' 'Ally Croker;' etc。; etc。;

are altogether spurious; and as much like

the thing they call themselves 'as I to

Hercules。'



There are to be sure in Ireland; as in all

countries; poems which deserve to be

laughed at。 The native productions of

which I speak; frequently abound in

absurditiesabsurdities which are often;

too; provokingly mixed up with what is

beautiful; but I strongly and absolutely

deny that the prevailing or even the

usual character of Irish poetry is that of

comicality。 No country; no time; is

devoid of real poetry; or something

approaching to it; and surely it were a

strange thing if Ireland; abounding as she

does from shore to shore with all that is

beautiful; and grand; and savage in

scenery; and filled with wild recollections;

vivid passions; warm affections; and keen

sorrow; could find no language to speak

withal; but that of mummery and jest。

No; her language is imperfect; but there

is strength in its rudeness; and beauty in

its wildness; and; above all; strong feeling

flows through it; like fresh fountains in

rugged caverns。



And yet I will not say that the

language of genuine indigenous Irish

composition is always vulgar and uncouth:

on the contrary; I am in possession

of some specimens; though by no means

of the highest order as to poetic merit;

which do not possess throughout a single

peculiarity of diction。 The lines which

I now proceed to lay before you; by way

of illustration; are from the pen of an

unfortunate young man; of very humble

birth; whose early hopes were crossed by

the untimely death of her whom he loved。

He was a self…educated man; and in after…

life rose to high distinctions in the Church

to which he devoted himselfan act which

proves the sincerity of spirit with which

these verses were written。



 'When moonlight falls on wave and wimple;

 And silvers every circling dimple;

     That onward; onward sails:

 When fragrant hawthorns wild and simple

     Lend perfume to the gales;

 And the pale moon in heaven abiding;

 O'er midnight mists and mountains riding;

 Shines on the river; smoothly gliding

     Through quiet dales;



 'I wander there in solitude;

 Charmed by the chiming music rude

     Of streams that fret and flow。

 For by that eddying stream SHE stood;

     On such a night I trow:

 For HER the thorn its breath was lending;

 On this same tide HER eye was bending;

 And with its voice HER voice was blending

     Long; long ago。



 Wild stream! I walk by thee once more;

 I see thy hawthorns dim and hoar;

     I hear thy waters moan;

 And night…winds sigh from shore to shore;

     With hushed and hollow tone;

 But breezes on their light way winging;

 And all thy waters heedless singing;

 No more to me are gladness bringing

     I am alone。



 'Years after years; their swift way keeping;

 Like sere leaves down thy current sweeping;

     Are lost for aye; and sped

 And Death the wintry soil is heaping

     As fast as flowers are shed。

 And she who wandered by my side;

 And breathed enchantment o'er thy tide;

 That makes thee still my friend and guide

     And she is dead。'





These lines I have transcribed in order

to prove a point which I have heard

denied; namely; that an Irish peasant

for their author was no moremay write

at least correctly in the matter of measure;

language; and rhyme; and I shall add

several extracts in further illustration of

the same fact; a fact whose assertion; it

must be allowed; may appear somewhat

paradoxical even to those who are

acquainted; though superficially; with

Hibernian composition。 The rhymes are;

it must be granted; in the generality of

such productions; very latitudinarian

indeed; and as a veteran votary of the

muse once assured me; depend wholly

upon the wowls (vowels); as may be seen

in the following stanza of the famous

'Shanavan Voicth。'



 ' 〃What'll we have for supper?〃

     Says my Shanavan Voicth;

 〃We'll have turkeys and roast BEEF;

 And we'll eat it very SWEET;

 And then we'll take a SLEEP;〃

     Says my Shanavan Voicth。'





But I am desirous of showing you that;

although barbarisms may and do exist in

our native ballads; there are still to be

found exceptions which furnish examples

of strict correctness in rhyme and metre。

Whether they be one whit the better for

this I have my doubts。 In order to

establish my position; I subjoin a portion

of a ballad by one Michael Finley; of

whom more anon。 The GENTLEMAN spoken

of in the song is Lord Edward Fitzgerald。



 'The day that traitors sould him and inimies bought him;

     The day that the red gold and red blood was paid

 Then the green turned pale and thrembled like the dead leaves in

Autumn;

     And the heart an' hope iv Ireland in the could grave was

laid。



 'The day I saw you first; with the sunshine fallin' round ye;

     My heart fairly opened with the grandeur of the view:

 For ten thousand Irish boys that day did surround ye;

     An' I swore to stand by them till death; an' fight for you。



 'Ye wor the bravest gentleman; an' the best that ever stood;

     And your eyelid never thrembled for danger nor for dread;

 An' nobleness was flowin' in each stream of your blood

     My bleasing on you night au' day; an' Glory be your bed。



 'My black an' bitter curse on the head; an' heart; an' hand;

     That plotted; wished; an' worked the fall of this Irish hero

bold;

     God's curse upon the Irishman that sould his native land;

 An' hell consume to dust the hand that held the thraitor's

gold。'





Such were the politics and poetry of

Michael Finley; in his day; perhaps; the

most noted song…maker of his country; but 

as genius is never without its eccentricities;

Finley had his peculiarities; and among

these; perhaps the most amusing was his

rooted aversion to pen; ink; and paper; in

perfect independence of which; all his

compositions were completed。 It is

impossible to describe the jealousy with

which he regarded the presence of writing

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