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the letters-2-第87章

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for a festival no darker than an Italian; their colour seems to 

vary directly with the degree of exposure to the sun。  And; as with 

negroes; the babes are born white; only it should seem a LITTLE 

SACK of pigment at the lower part of the spine; which presently 

spreads over the whole field。  Very puzzling。  But to return。  The 

Picts furnish to…day perhaps a third of the population of Scotland; 

say another third for Scots and Britons; and the third for Norse 

and Angles is a bad third。  Edinburgh was a Pictish place。  But the 

fact is; we don't know their frontiers。  Tell some of your 

journalist friends with a good style to popularise old Skene; or 

say your prayers; and read him for yourself; he was a Great 

Historian; and I was his blessed clerk; and did not know it; and 

you will not be in a state of grace about the Picts till you have 

studied him。  J。 Horne Stevenson (do you know him?) is working this 

up with me; and the fact is … it's not interesting to the public … 

but it's interesting; and very interesting; in itself; and just now 

very embarrassing … this rural parish supplied Glasgow with such a 

quantity of Stevensons in the beginning of last century!  There is 

just a link wanting; and we might be able to go back to the 

eleventh century; always undistinguished; but clearly traceable。  

When I say just a link; I guess I may be taken to mean a dozen。  

What a singular thing is this undistinguished perpetuation of a 

family throughout the centuries; and the sudden bursting forth of 

character and capacity that began with our grandfather!  But as I 

go on in life; day by day; I become more of a bewildered child; I 

cannot get used to this world; to procreation; to heredity; to 

sight; to hearing; the commonest things are a burthen。  The prim 

obliterated polite face of life; and the broad; bawdy; and 

orgiastic … or maenadic … foundations; form a spectacle to which no 

habit reconciles me; and 'I could wish my days to be bound each to 

each' by the same open…mouthed wonder。  They ARE anyway; and 

whether I wish it or not。



I remember very well your attitude to life; this conventional 

surface of it。  You had none of that curiosity for the social stage 

directions; the trivial FICELLES of the business; it is simian; but 

that is how the wild youth of man is captured; you wouldn't 

imitate; hence you kept free … a wild dog; outside the kennel … and 

came dam' near starving for your pains。  The key to the business is 

of course the belly; difficult as it is to keep that in view in the 

zone of three miraculous meals a day in which we were brought up。  

Civilisation has become reflex with us; you might think that hunger 

was the name of the best sauce; but hunger to the cold solitary 

under a bush of a rainy night is the name of something quite 

different。  I defend civilisation for the thing it is; for the 

thing it has COME to be; the standpoint of a real old Tory。  My 

ideal would be the Female Clan。  But how can you turn these 

crowding dumb multitudes BACK?  They don't do anything BECAUSE; 

they do things; write able articles; stitch shoes; dig; from the 

purely simian impulse。  Go and reason with monkeys!



No; I am right about Jean Lillie。  Jean Lillie; our double great…

grandmother; the daughter of David Lillie; sometime Deacon of the 

Wrights; married; first; Alan Stevenson; who died May 26; 1774; 'at 

Santt Kittes of a fiver;' by whom she had Robert Stevenson; born 

8th June 1772; and; second; in May or June 1787; Thomas Smith; a 

widower; and already the father of our grandmother。  This 

improbable double connection always tends to confuse a student of 

the family; Thomas Smith being doubly our great…grandfather。



I looked on the perpetuation of our honoured name with veneration。  

My mother collared one of the photos; of course; the other is stuck 

up on my wall as the chief of our sept。  Do you know any of the 

Gaelic…Celtic sharps? you might ask what the name means。  It 

puzzles me。  I find a M'STEIN and a MACSTEPHANE; and our own great…

grandfather always called himself Steenson; though he wrote it 

Stevenson。  There are at least three PLACES called Stevenson … 

STEVENSON in Cunningham; STEVENSON in Peebles; and STEVENSON in 

Haddington。  And it was not the Celtic trick; I understand; to call 

places after people。  I am going to write to Sir Herbert Maxwell 

about the name; but you might find some one。



Get the Anglo…Saxon heresy out of your head; they superimposed 

their language; they scarce modified the race; only in Berwickshire 

and Roxburgh have they very largely affected the place names。  The 

Scandinavians did much more to Scotland than the Angles。  The 

Saxons didn't come。



Enough of this sham antiquarianism。  Yes; it is in the matter of 

the book; of course; that collaboration shows; as for the manner; 

it is superficially all mine; in the sense that the last copy is 

all in my hand。  Lloyd did not even put pen to paper in the Paris 

scenes or the Barbizon scene; it was no good; he wrote and often 

rewrote all the rest; I had the best service from him on the 

character of Nares。  You see; we had been just meeting the man; and 

his memory was full of the man's words and ways。  And Lloyd is an 

impressionist; pure and simple。  The great difficulty of 

collaboration is that you can't explain what you mean。  I know what 

kind of effect I mean a character to give … what kind of TACHE he 

is to make; but how am I to tell my collaborator in words?  Hence 

it was necessary to say; 'Make him So…and…so'; and this was all 

right for Nares and Pinkerton and Loudon Dodd; whom we both knew; 

but for Bellairs; for instance … a man with whom I passed ten 

minutes fifteen years ago … what was I to say? and what could Lloyd 

do?  I; as a personal artist; can begin a character with only a 

haze in my head; but how if I have to translate the haze into words 

before I begin?  In our manner of collaboration (which I think the 

only possible … I mean that of one person being responsible; and 

giving the COUP DE POUCE to every part of the work) I was spared 

the obviously hopeless business of trying to explain to my 

collaborator what STYLE I wished a passage to be treated in。  These 

are the times that illustrate to a man the inadequacy of spoken 

language。  Now … to be just to written language … I can (or could) 

find a language for my every mood; but how could I TELL any one 

beforehand what this effect was to be; which it would take every 

art that I possessed; and hours and hours of deliberate labour and 

selection and rejection; to produce?  These are the impossibilities 

of collaboration。  Its immediate advantage is to focus two minds 

together on the stuff; and to produce in consequence an 

extraordinarily greater richness of purview; consideration; and 

invention。  The hardest chapter of all was 'Cross Questions and 

Crooked Answers。'  You would not believe what that cost us before 
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