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massimilla doni-第22章

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hundred or so of phrases which every musician has at his command; a
more or less agreeable form of babble which most composers live in。 We
listen to their strains; their would…be melodies; with more or less
satisfaction; but absolutely nothing is left in our mind; by the end
of the century they are forgotten。 But the nations; from the beginning
of time till our own day; have cherished as a precious treasure
certain strains which epitomize their instincts and habits; I might
almost say their history。 Listen to one of these primitive tones;the
Gregorian chant; for instance; is; in sacred song; the inheritance of
the earliest peoples;and you will lose yourself in deep dreaming。
Strange and immense conceptions will unfold within you; in spite of
the extreme simplicity of these rudimentary relics。 And once or twice
in a centurynot oftener; there arises a Homer of music; to whom God
grants the gift of being ahead of his age; men who can compact
melodies full of accomplished facts; pregnant with mighty poetry。
Think of this; remember it。 The thought; repeated by you; will prove
fruitful; it is melody; not harmony; that can survive the shocks of
time。

〃The music of this oratorio contains a whole world of great and sacred
things。 A work which begins with that introduction and ends with that
prayer is immortalas immortal as the Easter hymn; /O filii et
filioe/; as the /Dies iroe/ of the dead; as all the songs which in
every land have outlived its splendor; its happiness; and its ruined
prosperity。〃

The tears the Duchess wiped away as she quitted her box showed plainly
that she was thinking of the Venice that is no more; and Vendramin
kissed her hand。

The performance ended with the most extraordinary chaos of noises:
abuse and hisses hurled at Genovese and a fit of frenzy in praise of
la Tinti。 It was a long time since the Venetians had had so lively an
evening。 They were warmed and revived by that antagonism which is
never lacking in Italy; where the smallest towns always throve on the
antagonistic interests of two factions: the Geulphs and Ghibellines
everywhere; the Capulets and the Montagues at Verona; the Geremei and
the Lomelli at Bologna; the Fieschi and the Doria at Genoa; the
patricians and the populace; the Senate and tribunes of the Roman
republic; the Pazzi and the Medici at Florence; the Sforza and the
Visconti at Milan; the Orsini and the Colonna at Rome;in short;
everywhere and on every occasion there has been the same impulse

Out in the streets there were already /Genovists/ and /Tintists/。

The Prince escorted the Duchess; more depressed than ever by the loves
of Osiride; she feared some similar disaster to her own; and could
only cling to Emilio; as if to keep him next her heart。

〃Remember your promise;〃 said Vendramin。 〃I will wait for you in the
square。〃



Vendramin took the Frenchman's arm; proposing that they should walk
together on the Piazza San Marco while awaiting the Prince。

〃I shall be only too glad if he should not come;〃 he added。

This was the text for a conversation between the two; Vendramin
regarding it as a favorable opportunity for consulting the physician;
and telling him the singular position Emilio had placed himself in。

The Frenchman did as every Frenchman does on all occasions: he
laughed。 Vendramin; who took the matter very seriously; was angry; but
he was mollified when the disciple of Majendie; of Cuvier; of
Dupuytren; and of Brossais assured him that he believed he could cure
the Prince of his high…flown raptures; and dispel the heavenly poetry
in which he shrouded Massimilla as in a cloud。

〃A happy form of misfortune!〃 said he。 〃The ancients; who were not
such fools as might be inferred from their crystal heaven and their
ideas on physics; symbolized in the fable of Ixion the power which
nullifies the body and makes the spirit lord of all。〃

Vendramin and the doctor presently met Genovese; and with him the
fantastic Capraja。 The melomaniac was anxious to learn the real cause
of the tenor's /fiasco/。 Genovese; the question being put to him;
talked fast; like all men who can intoxicate themselves by the
ebullition of ideas suggested to them by a passion。

〃Yes; signori; I love her; I worship her with a frenzy of which I
never believed myself capable; now that I am tired of women。 Women
play the mischief with art。 Pleasure and work cannot be carried on
together。 Clara fancies that I was jealous of her success; that I
wanted to hinder her triumph at Venice; but I was clapping in the
side…scenes; and shouted /Diva/ louder than any one in the house。〃

〃But even that;〃 said Cataneo; joining them; 〃does not explain why;
from being a divine singer; you should have become one of the most
execrable performers who ever piped air through his larynx; giving
none of the charm even which enchants and bewitches us。〃

〃I!〃 said the singer。 〃I a bad singer! I who am the equal of the
greatest performers!〃

By this time; the doctor and Vendramin; Capraja; Cataneo; and Genovese
had made their way to the piazzetta。 It was midnight。 The glittering
bay; outlined by the churches of San Giorgio and San Paulo at the end
of the Giudecca; and the beginning of the Grand Canal; that opens so
mysteriously under the /Dogana/ and the church of Santa Maria della
Salute; lay glorious and still。 The moon shone on the barques along
the Riva de' Schiavoni。 The waters of Venice; where there is no tide;
looked as if they were alive; dancing with a myriad spangles。 Never
had a singer a more splendid stage。

Genovese; with an emphatic flourish; seemed to call Heaven and Earth
to witness; and then; with no accompaniment but the lapping waves; he
sang /Ombra adorata/; Crescentini's great air。 The song; rising up
between the statues of San Teodoro and San Giorgio; in the heart of
sleeping Venice lighted by the moon; the words; in such strange
harmony with the scene; and the melancholy passion of the singer; held
the Italians and the Frenchman spellbound。

At the very first notes; Vendramin's face was wet with tears。 Capraja
stood as motionless as one of the statues in the ducal palace。 Cataneo
seemed moved to some feeling。 The Frenchman; taken by surprise; was
meditative; like a man of science in the presence of a phenomenon that
upsets all his fundamental axioms。 These four minds; all so different;
whose hopes were so small; who believed in nothing for themselves or
after themselves; who regarded their own existence as that of a
transient and a fortuitous being;like the little life of a plant or
a beetle;had a glimpse of Heaven。 Never did music more truly merit
the epithet divine。 The consoling notes; as they were poured out;
enveloped their souls in soft and soothing airs。 On these vapors;
almost visible; as it seemed to the listeners; like the marble shapes
about them in the silver moonlight; angels sat whose wings; devoutly
waving; expressed adoration and love。 The simple; artless melody
penetrated to the soul as with a beam of light。 It was a holy passion!

But the singer's vanity roused them from their emotion with a terrible
shock。

〃Now; am I a bad singer?〃 he exclaimed; as he ended。

His audi
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