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the origins of contemporary france-4-第57章

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together in peace and harmony。  Basically they are good;'86' and will;

after a little necessary purification; become good again。

Accordingly; their collective will is 〃the voice of reason and public

interest;〃 hence; on meeting together; they are wise。  〃The people's

assembly of delegates should deliberate; if possible; in the presence

of the whole body of the people;〃 the Legislative body; at least;

should hold its sittings 〃in a vast; majestic edifice open to twenty

thousand spectators。〃 Note that for the past four years; in the

Constituent Assembly; in the Legislative Assembly; in the Convention;

at the Hotel de…Ville; in the Jacobin Club; wherever Robespierre

speaks; the galleries have never ceased to shout; yell and express

their opinion。  Such a positive; palpable experience would open

anybody's eyes; his are closed through prejudice or interest; even

physical truth finds no access to his mind; because he is unable to

comprehend it; or because he has to keep it out。  He must;

accordingly; be either obtuse or a charlatan。  Actually he is both;

for both combine to form the pedant (cuistre); that is to say; the

hollow; inflated mind which; filled with words and imagining that

these are ideas; revels in its own declamation and dupes itself that

it may dictate to others。



Such is his title; his personality and role。  In this artificial and

declamatory tragedy of the Revolution he takes the leading part; the

maniac and the barbarian slowly retire in the background on the

appearance of the cuistre; Marat and Danton finally become effaced; or

efface themselves; and the stage is left to Robespierre who attracts

all the attention。'87' … If we want to understand him we must look at

him as he stands in the midst of his surroundings。  At the last stage

of a dying intellectual vegetation; on the last branch of the

eighteenth century; he is the final freak and dried fruit of the

classical spirit。'88'  He has retained nothing of a worn…out system of

philosophy but its lifeless dregs and well…conned formulae; the

formulae of Rousseau; Mably; and Raynal; concerning 〃the people;

nature; reason; liberty; tyrants; factions; virtue; morality;〃 a

ready…made vocabulary;'89' expressions too ample; the meaning of

which; ill…defined by the masters; evaporates in the hands of the

disciple。  He never tries to get at this; his writings and speeches

are merely long strings of vague abstract periods; there is no telling

fact in them; no distinct; characteristic detail; no appeal to the eye

evoking a living image; no personal; special observation; no clear;

frank original impression。  It might be said of him that he never saw

anything with his own eyes; that he neither could nor would see; that

false conceptions have intervened and fixed themselves between him and

the object;'90' he combines these in logical sequence; and simulates

the absent thought by an affected jargon; and this is all。  The other

Jacobins alongside of him likewise use the same scholastic jargon; but

none of them spout and spread out so complacently and lengthily as he。

For hours; we grope after him in the vague shadows of political

speculation; in the cold and perplexing mist of didactic generalities;

trying in vain to make something out of his colorless tirades; and we

grasp nothing。'91'  When we; in astonishment; ask ourselves what all

this talk amounts to; and why he talks at all; the answer is; that he

has said nothing and that he talks only for the sake of talking; the

same as a sectarian preaching to his congregation; neither the

preacher nor his audience ever wearying; the one of turning the

dogmatic crank; and the other of listening。  So much the better if the

container is empty; the emptier it is the easier and faster the crank

turns。  And better still; if the empty term he selects is used in a

contrary sense; the sonorous words justice; humanity; mean to him

piles of human heads; the same as a text from the gospels means to a

grand inquisitor the burning of heretics。  … Through this extreme

perversity; the cuistre spoils his own mental instrument; thenceforth

he employs it as he likes; as his passions dictate; believing that he

serves truth in serving these。



Now; his first passion; his principal passion; is literary vanity。

Never was the chief of a party; sect or government; even at critical

moments; such an incurable; insignificant rhetorician; so formal; so

pompous; and so dull。  … On the eve of the 9th of Thermidor; when it

was a question of life or death; he enters the tribune with a set

speech; written and re…written; polished and re…polished;'92'

overloaded with studied ornaments and bits for effect;'93' coated by

dint of time and labor; with the academic varnish; the glitter of

symmetrical antitheses; rounded periods; exclamations; omissions;

apostrophes and other tricks of the pen。'94' … In the most famous and

important of his reports;'95' I have counted eighty…four instances of

personifications'96' imitated from Rousseau and the antique; many of

them largely expanded; some addressed to the dead; to Brutus; to young

Barra; and others to absentees; priests; and aristocrats; to the

unfortunate; to French women; and finally to abstract substantives

like Liberty and Friendship。  With unshaken conviction and intense

satisfaction; he deems himself an orator because he harps on the same

old tune。  There is not one true tone in his elaborate eloquence;

nothing but recipes and only those of a worn…out art; Greek and Roman

common…places; Socrates and the hemlock; Brutus and his dagger;

classic metaphors like 〃the flambeaux of discord;〃 and 〃the vessel of

State;〃'97's coupled together and beauties of style which a pupil in

rhetoric aims at on the college bench;'98'times a grand bravura air;

so essential for parade in public;'99' centimes a delicate strain of

the flute; for; in those days; one must have a tender heart;'100' in

short; Marmontel's method in 〃 Belisarius;〃 or that of Thomas in his

〃Eloges;〃 all borrowed from Rousseau; but of inferior quality; like a

sharp; thin voice strained to imitate a rich; powerful voice。  All is

a sort of involuntary parody; and the more repulsive because a word

ends in a blow; because a sentimental; declamatory Trissotin poses as

statesman; because the studied elegance of the closet become pistol

shots aimed at living breasts; because an epithet skillfully directed

sends a man to the guillotine。  … The contrast is too great between

his talent and the part he plays。  With such a talent; as mediocre and

false as his intellect; there is no employment for which he is less

suited than that of governing men; he was cut out for another; which;

in a peaceable community; he would have been able to do。  Suppress the

Revolution; and Marat would have probably ended his days in an asylum。

Danton might possibly have become a legal filibuster; a highwayman or

gangster; and finally throttled or hung。  Robespierre; on the

contrary; might have conti
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